The Class Reunion

In a quiet resort town Haapsalu four kids are spending their summer holidays together. Suddenly they are dragged into events that started in the 15th century in the local bishop's stronghold. The children must solve a difficult mystery of a clock robbery and they have to find a treasure that has been lost for centuries and contains a formula of making gold.

The sequel to one of the most loved Estonian comedy films Class Reunion 2: A Wedding and a Funeral sees the return of the three high-school friends Mart, Andres and Toomas. This time they are planning a memorable stag party for Toomas, but due to unexpected turn of events end up at a funeral instead. It has been a year since the unforgettable class reunion and our three friends have all reached new stages in their lives. The rock star Toomas (Genka) has finally decided to get married. Mart (Mait Malmsten) is having troubles with his wife. And Andres (Ago Anderson) has declared war on the female sex and decided to become a resolute bachelor.

An Estonian dance movie.

The final film in the trilogy takes us on another wild ridewhich will stop at nothing and will leave no time to feel shame. The three best friends –Mart, Andres and Toomas, are back! And as always, they offer genius solutions to both their personal problems, as well as the audience’s spare time.

An adaptation of a book by Sass Henno, I Was Here. First Arrest (Mina olin siin. 1. esimene arrest, 2005), one of the most important Estonian works of literature of recent years. Seventeen-year-old Rass is growing up in an Estonian suburb. In the absence of a solid home life his family becomes a group of youngsters who are verging on being thieves. Drugs are an inseparable part of their lives, and when Rass agrees to distribute them, he gets tangled up in the narcotics trade. Small amounts suddenly become two-kilo packages that the mafia, to the misfortune of all involved, has not been paid for, and is ready to collect on by force… This story of one boy’s adolescence unwinds retrospectively over a sheet of paper on which Rass records his memories while in prison. The camera intermediates these recollections in a nervous journalistic stylisation, often even duplicating the images, which increases the pace of the story, a true-to-life basis for which can be easily imagined.

A stray dog gives birth to the main character Poo, on a marvellous spring day. The young Poo befriends a Sparrow, who educates him in ways of life. Observing loving sparrow family’s ventures from his shanty throughout autumn and winter, a desire for a beloved arises in Poo’s heart.

Two elderly have decided to start having children. There was no time for this in their youth, they had to work hard to survive. Now, in retirement, nimble old people are making children for sale to spend the night with beer, cigarettes and cocaine. It is the year 2050. The third child of the elderly is about to be born and the selling price is rising. The moral and ethical categories have changed. An aging Europe needs children.

This focused family drama with a crime plot begins when Otto Müller, a 65-years-old business legend, is murdered in his own home.

A wide range of relatives and acquaintances have traveled to a funeral, and as is typical of Estonians, the sad event turns into a comical one as the evening develops. The primordial disputes that arise among the Estonians take on hyperbolic dimensions as events unfold, creating misunderstandings.