The Enemy Lines

An unseen presence traverses a snowy landscape and enters a series of winter homes, in which slumbering occupants go eerily undisturbed.

A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

In "Spaces #2", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. "cnfnmnt e/scp(i)sm" is Denis Côté's submission.

A man and his toys make for an uneasy ballad.

A couple's impasse is refracted through the world’s great tragedies, and the news of "what is happening in Kosovo”. A tender, indifferent, cynical and bittersweet slice of melodrama.

An old fashioned waltz. Flirting with horror cinema, here is the portrait of an aging New Brunswick population, unfolding like a found footage object equally elegiac as it is nightmarish.

Set in a rural Québec village in the dead of winter, Jean-François, a single father, works at a deserted bowling alley at night and in a rundown motel during the day. His daughter, Julyvonne never leaves their home. Jean-François isolates her in fear that contact with the outside world will scar her the way it has him.

After a lengthy virtual relationship over the Internet, Milena and Philip take the plunge and agree to finally meet. Having lived in Montreal for over a decade, Milena, an immigrant of Bulgarian descent, accepts to greet her correspondent Philip, a flirtatious photographer from Sofia. Out in an isolated cottage in Quebec's countryside, the couple abandon themselves to one another. Between periods of cultural clashes and fleshly pleasures, the two assess each other and the possibilities for true love. But strange, uncanny events soon disrupt Milena and Philip's quiet intimacy as secrecy and silence slowly set in -nihilproductions

Without dialogues, Maϊté shows us an adolescent who goes to a big city to a black metal concert.