The Girl from Monday
A comic drama about a time in the near future when citizens are happy to be property traded on the stock exchange.
Hal Hartley
Hal Hartley
Casts & Crew
Bill Sage
Sabrina Lloyd
Tatiana Abracos
Leo Fitzpatrick
D.J. Mendel
James Urbaniak
Juliana Francis
Gary Wilmes
Jenny Seastone
David Neumann
Also Directed by Hal Hartley
A minimalist, atmospheric, meditation on the theme of "Love" or "Amour" that focuses on reconciliation and forgiveness.
Hartley's conscientious assistant in Berlin receives weekly letters from her boss and sends him the books he needs as he struggles in Amsterdam to create the staging for Dutch composer Louis Andriessen's opera, "La commedia."
A documentary concerning the periods between the actual takes during the production of Hartley's short film "Iris," revealing the imagination, diligence and patience that goes into composing a shot.
The job, should you choose to accept it: two young women playing out roles associated with the purchasing of real estate. Questions regarding the worries of ownership versus the worries of being un-invested. Intimations of a life filled with effort and debt. Tie this all together somehow with lines from the song, “Iris” by the Breeders.
Joseph Fulton, a well-regarded fifty-eight-year-old director of romantic comedies, wants to become assistant groundskeeper at a local cemetery. He wants to work outdoors and be close to nature. Meanwhile, he thinks it’s important to have his last will and testament drawn up. But his highly dramatic actress girlfriend thinks he must be dying and that he is just too brave to tell anyone. The rumor spreads and soon everyone he knows—and some he doesn’t—are crowded into his small apartment to say their last farewells.
In New York, Bill struggles to decide whether he has a future with Emily, while attempting to restrain Walter, the angry husband of a woman he thinks he might be in love with. Later incorporated into a feature film of the same name.
A hot summer day on a country road. A young woman in her bridal dress gets kicked out of a car. Lost and frustrated, she wanders off across a sea of grass into a dark wood - and discovers an abandoned house. Tired and worn out, she lies down on a bed. When she is awakened from her nap by a clap of thunder, she sees a cup of steaming hot tea and a package on the floor. She opens it - and finds a kimono. The bride knows she no longer is alone ... but should she put on the kimono?
The same situation is played out in different cities (New York, Berlin and Japan). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a "permanent" relationship, what do they choose to do?
Tells the story of Beatrice (Sarah Polley), a tabloid journalist whose fiancé is killed by a monster in Iceland. She ends up falling in love with the monster in the end. The monster is immortal, but longs to die. Beatrice helps him achieve this by contacting a scientist who can destroy matter painlessly.
After being thrown away from home, pregnant high school dropout Maria meets Matthew, a highly educated and extremely moody electronics repairman. The two begin an unusual romance built on their sense of mutual admiration and trust.