The Great Man's Lady
In Hoyt City, a statue of founder Ethan Hoyt is dedicated, and 100 year old Hannah Sempler Hoyt (who lives in the last residence among skyscrapers) is at last persuaded to tell her story to a 'girl biographer'. Flashback: in 1848, teenage Hannah meets and flirts with pioneer Ethan; on a sudden impulse, they elope. We follow their struggle to found a city in the wilderness, hampered by the Gold Rush, star-crossed love, peril, and heartbreak. The star "ages" 80 years.
William A. Wellman
Casts & Crew
Barbara Stanwyck
Joel McCrea
Brian Donlevy
K.T. Stevens
Thurston Hall
Lloyd Corrigan
Etta McDaniel
William B. Davidson
Lillian Yarbo
Helen Lynd
Mary Treen
Lucien Littlefield
John Hamilton
Fred 'Snowflake' Toones
George Irving
Charles Lane
Theodore von Eltz
Damian O'Flynn
Pat O'Malley
Frank M. Thomas
Irving Bacon
Hank Bell
Monte Blue
Horace B. Carpenter
George Chandler
David Clyde
Tom Coleman
Tex Cooper
Tex Driscoll
Fern Emmett
Sam Harris
G. P. Huntley
Jack Kenny
Ethan Laidlaw
Larry Lawson
Buck Mack
Lee Moore
Ottola Nesmith
Anna Q. Nilsson
Milton Parsons
Bob Perry
Lee Phelps
Tex Phelps
John Roy
Eleanor Stewart
Dorothy Vernon
Charles Williams
Also Directed by William A. Wellman
Esther Blodgett is just another starry-eyed farm kid trying to break into the movies. Waitressing at a Hollywood party, she catches the eye of her idol Norman Maine, is sent for a screen test, and before long attains stardom as newly minted Vicki Lester. She and Norman marry, though his career soon dwindles to nothing due to his chronic alcoholism.
Two young Chicago hoodlums, Tom Powers and Matt Doyle, rise up from their poverty-stricken slum life to become petty thieves, bootleggers and cold-blooded killers. But with street notoriety and newfound wealth, the duo feels the heat from the cops and rival gangsters both. Despite his ruthless criminal reputation, Tom tries to remain connected to his family, however, gang warfare and the need for revenge eventually pull him away.
In the 1830's beaver trapper Flint Mitchell and other white men hunt and trap in the then unnamed territories of Montana and Idaho. Flint marries a Blackfoot woman as a way to gain entrance into her people's rich lands, but finds she means more to him than a ticket to good beaver habitat.
War correspondent Ernie Pyle joins Company C, 18th Infantry as this American army unit fights its way across North Africa in World War II. He comes to know the soldiers and finds much human interest material for his readers back in the States.
Frisco Jenny was orphaned by the 1906 earthquake and fire and has become the madame of prosperous bawdy house. She puts her son up for adoption and he rises to prominence as district attorney dedicated to closing down such houses. When her underling Dutton proposes killing the DA, she kills the underling and must face execution.
Joe and Casey trouble-shoot for the phone company. They try to prove that Joes's girl Ethel's boss Dan is a crook but are trapped by criminals and left in a burning building.
A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president (George Irving). The nominal leading man is Tommy Nelson (James Hall), the black-sheep son of a wealthy alumnus (Anders Randolph). Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).
Nightclub singer Joan Gordon runs away from her gangster boyfriend to become a mail-order bride to a struggling North Dakota farmer. Their relationship has a rocky start, but just as Joan realizes she's developing feelings for her husband, her old boyfriend arrives to win her back.
To avoid the rigors of the law, Gilda flees New Orleans and hides on a Caribbean island where the worst criminals can ask for asylum. Besieged by the scum of the earth, Gilda will soon find out that she has found refuge in hell.
A London artist struggles to complete one last painting before going blind.