The Hunt

In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.

In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their military father Anselmo. Ana is a melancholic girl, fascinated by death, after seeing her mother having a painful death and her father dead in bed.

The story of an expedition down the Orinoco and Amazon rivers in 1560 by Spanish soldiers searching for the fabled city of gold, El Dorado.

Angela begins to hang around with Pablo and his gang of young robbers.

After the death of his wife, Angel, a university professor and writer, he falls into a severe depression. He flees to his house in the country, but there the evil is accentuated, which leads him to an attempted suicide that Teresa, his young neighbor, saves him. Angel starts a relationship with her and her partner, Alberto. Soon he falls in love with Teresa and, through a passionate relationship, he frees himself from his torments. Teresa, Alberto and her theater group on stilts ask her to write a play to represent her in the town. Obsessed by Teresa, she is vivified with this experience with the young, but she soon moves away from him carnally. This rupture desperate and as Teresa disabuses him of any possibility of continuity, in the mind of Angel reappears suicide as the only solution

Pantheon filmmaker Carlos Saura bounced back from a handful of failures with 1989's La Noche Oscura (The Dark Night). Juan Diego stars as San Juan de la Cruz (St. John of the Cross), the legendary 16th-century poet-prophet. Galvanized into action by the spirit of Santa Teresa de Jesus, San Juan fought to install reforms in the Carmelite Order. Like many another visionary, he was regarded as a heretic, and promptly subjected to the most appalling of tortures. Writer-director Saura manages to draw several parallels between the religious persecution of the 1700s and the political despotism of Fascist Spain.

In cold print, 1960s Delinquents sound like a Spanish-language precursor to a Mickey Rourke/Sean Penn flick of the 1980s. The delinquents of the title are three restless slum kids, given to petty thievery. When one of the boys expresses a desire to become a bullfighter, the others pool their energies to pull one big heist in order to finance their pal's dream. The would-be bullfighter makes a disastrously dismal debut in the ring, and the gang is rounded up by the cops. Delinquents was originally released in Spain as Los Golfos, but might have been more appropriately titled Los Goofos.

Saura creates and recovers more than thirty images, drawings and photographs that he prints, manipulates, plays with and subsequently films, to produce a story which, while recreating the Spanish Civil War, could also reflect the horrors of universal conflict, seen through the eyes of a child and his surroundings.

Filming "Goya. May 3" is an innovative audiovisual project that makes a cinematographic recreation of Goya's painting "The Executions of May 3" through an 8K digital recording with real digital scenography under the direction of Carlos Saura, also from Aragón. This, with a multidisciplinary team, develop a dramatization as realistic as possible, making use of the latest filming technologies and with a careful artistic direction that pays special attention to styling, costumes, sound setting, etc., in a complex process whose novelty lies in the production, and with which it is sought to achieve an immersive experience of great impact for the visitor.

A drama based on the life of 18th century Italian lyricist Lorenzo da Ponte, who collaborated with Mozart on his "Don Giovanni" opera.