The Jesus Rolls

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

Niccolo (Mac) Vitelli is the eldest of three brothers and leads their family after their beloved father dies. Their father was a builder and his sons continue in this family trade. At first, they work for Polowski, who does shoddy work and cheats on his jobs. When the brothers can no longer take being employed by such an angry vitriolic boss who takes no pride in his work, they set up their own company. Together, Vitelli Brothers Construction builds houses with pride and care. However, Mac turns out to be an overbearing workaholic, with obsessive concern about the quality of their work and incredible attention to detail. His intensity and driven ambition precludes a happy family life and eventually drives away his two happy-go-lucky brothers from his nascent construction empire.

John Turturro tells, shooting alleys and testimonies of real neapolitan people, the history and musical culture of Napoli, attending every event and tale with a song.

Down-and-dirty musical love story set in the world of the working class. Nick is an ironworker who builds and repairs bridges. He's married to Kitty, a dressmaker, a strong and gentle woman with whom he has three daughters. He is carrying on a torrid affair with a redheaded woman named Tula. Nick is basically a good, hardworking man driven forward by will and blinded by his urges.

Fioravante decides to become a professional Don Juan as a way of making money to help his cash-strapped friend, Murray. With Murray acting as his "manager", the duo quickly finds themselves caught up in the crosscurrents of love and money.

It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents