The Long Walk Home

Earl Pilcher Jr., runs an equipment rental outfit in Arkansas, lives with his wife and kids and parents, and rarely takes off his gimme cap. His mother dies, leaving a letter explaining he's not her natural son, but the son of a Black woman who died in childbirth; plus, he has a half brother Ray, in Chicago, she wants him to visit. Earl makes the trip, initially receiving a cold welcome from Ray and Ray's son, Virgil. His birth mother's sister, Aunt T., an aged and blind matriarch, takes Earl in tow and insists that the family open up to him.

Aidan Quinn (Legends of the Fall,) and Rachel Griffiths (Six Feet Under) star in Plainsong, a Hallmark Hall of Fame presentation based on the novel by Kent Haruf. Tom Guthrie (Quinn), a high school history teacher, is faced with raising two young sons after his wife leaves him. Maggie Jones (Griffiths), a fellow teacher, tries to provide comfort and support. When a 17-year old student at their school becomes pregnant, their lives become interlocked with other seeming misfits in their small Colorado town. Gradually, they all grow to need and depend on each other, and ultimately, they build more than a community; they create a family.

An outbreak of avian flu mutates into a virus that becomes transmittable from human to human.

Based on true events which took place in the mill town of Graniteville, South Carolina in 1876, the story follows the rich Greggs, who run the mill, and the poor McEvoys, who work there. The animosity between their sons leads to tragedy.

Griffin Byrne is the idealistic new history, English and maths teacher in Father Frank Larkin's school in a mainly Latino ghetto neighborhood where most kids, even many of its graduates, end up in crime and poverty. He takes a particular interest in one of the boys nobody believes will ever come to anything, Lee Cortes, who he finds to be a prodigy in cartoon drawing but who never spoke a word at school, and always wears a Walkman, essentially because of his home situation: his elder brother Tyro, a drug dealer, abuses him and his mother, so he often stays home to mind the smallest siblings. Griffin tries everything to help Lee, despite everyones cynicism, even takes him in his bachelor flat, but finds the whole family situation must be solved, which is probably beyond his power, yet tries tireless, even if he gets nothing but abuse and the results seem to do more hurting then helping...

Jonas Nightengale is a fraudulent Christian faith healer who makes a living travelling around America holding revival meetings and conducting 'miracles' with the help of his friend and manager, Jane, and their entourage. One of their trucks breaks down in Rustwater, a town in desperate need of rain to save their crops. While waiting for spare parts, Jonas decides to hold a revival meeting in the town. The local sheriff, Will Braverman, is skeptical and tries to prevent his town and its people from being conned. However a local disabled boy, Boyd, believes Jonas could make him walk again. Events in Rustwater make Jonas examine his own faith and doubts.

Celebrated heart surgeon Thomas Vrain supports the research of an offbeat scientist who has invented an artificial heart. Against the advice of the Ethics Committee, Dr. Vrain decides to perform the first artificial heart transplant.

Director Richard Pearce (The Long Walk Home, Leap of Faith, A Family Thing) traces the musical odyssey of blues legend B.B. King in a film that pays tribute to the city that gave birth to a new style of blues. Pearce's homage to Memphis features original performances by B.B. King, Bobby Rush, Rosco Gordon and Ike Turner, as well as historical footage of Howlin' Wolf and Rufus Thomas.

Two marginally intellectually disabled young adults fall in love and wish to marry.

Disarmingly realistic in its depiction of the realities of frontier life, Heartland is a strong antidote to the cliches of traditional Westerns. This semi-documentary slice of life is based on the diaries of Elmore Randall Stewart about her days on the Wyoming frontier in the early 20th century. It's a strongly feminist statement about a woman raising her small daughter alone and scrapping for a living by working for a shy Scottish rancher. Director Richard Pearce brings an endearing touch to a film that is helped greatly by the dazzling cinematography of Fred Murphy. Conchata Ferrell and Rip Torn star in this small film that substitutes veracity for a high-powered plot.