The Making of "I Miss Sonia Henie"
Karpo Acimovic-Godina's short documentary that follows the production of single room omnibus film I Miss Sonia Henie. Features footage of Godina, Dušan Makavejev, Tinto Brass, Bogdan Tirnanić, Mladomir “Puriša” Ðorđević, Paul Morrissey, and Frederick Wiseman.
Karpo Aćimović-Godina
Also Directed by Karpo Aćimović-Godina
Story about a group of eccentric Dadaist artists in a small Serbian town in the 1920s.
Experimental 8mm film by Karpo Godina.
Comedy about a group of musicians who are sent to play to villagers and workers to raise morale during a 5 year plan. The trouble is they prefer to play jazz and boogie music to the traditional folk songs, and each time they try their jazz they are reprimanded by the local party secretary.
A sentimental, delightful journey along the former railway route “Porečanka” that connected Trieste and Poreč from 1902 until 1935. Then it was dismantled and the tracks to be used in Mussolini’s war in Abyssinia but they sank in the Mediterranean – an ironic turn of history, an ideal subject for Karpo Godina, the master of tender wit.
Godina drove to the north of Serbia, Yugoslavia's Vojvodina province, and shot several folk singers and their families, introducing a wealth of Yugoslav folk music.
Experimental 8mm film by Karpo Godina.
Documentary focusing on the making of "I Miss Sonia Henie"
The mysterious, charming Mr. P. F., the protagonist of this full-length documentary film, is a sportsman, inventor, owner of more than 400 patents and a cosmopolitan who knew life in Europe's most glamorous cities. His inquisitiveness and the spirit of cosmopolitanism lured him to Switzerland, where he only just started living. Very quickly he ended up among the European rich elite and they accepted him as one of them. He was a millionaire who was thought to be a billionaire and who also lived like a billionaire.
TV film about the legendary Ljubljana bar Šumi.
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.