The Manhattan Front

A film adaptation of Andre Breton's surrealist novel "Nadja". This fictional memoir gives voice to the woman who, speaking from the sanitarium as World War II approaches, recounts her love affair with Breton through a matrix of archival and staged images of Paris. World Premiere: Viennale '00. Forum des Images (Paris) Permanent Collection

This sensualist's dream follows Louise Brooks look-alike Rodney O'Neal Austin on his search for the Beloved. From the cabaret to opium dens and dancing graces this homage to early sound film explores a world teeming with the mysteries of longing and death. Winner Best Black-and-White Cinematography (Cork International Film Festival 1996).

A collision of separate pasts, this film pieces together fragments of the director’s own images and text from the East German town of Halle with those produced by Bauhaus painter Lyonel Feininger in 1930.

This elegiac essay explores the year leading up to Pier Paolo Pasolini's murder in 1975. Through staging scenes from his last, unfinished novel, to exploring his polemical essays, and his first and last film, this experimental biography documents the final words of one of the most important filmmakers of the 20th century.

History haunts the border town of Columbus, N.M. when Mexican riders on horseback cross the line to commemorate Pancho Villa’s 1916 raid. As border dwellers and their divergent accounts of the Villa raid are introduced, the existential borderline that shapes their lives comes into focus.

An adaptation of the fountain of youth tale and a lyrical meditation on the quotidian gestures of strangers. These lives, captured in the streets of Rome, constitute the counter-shot for the landscape through which a fictional character wanders, adrift. After meeting a young girl in the Campo di Fiori market, a woman who has come to Rome to die, journeys through its many fountains, haunted by visions of lost innocence. Staged on locations from the Roman films of Pier Paolo Pasolini.