The Menace

A woman is found dead -- with her throat torn out. Villagers blame a supernatural source but Holmes has other ideas.

Graverobbers open the grave of the Wolfman and awake him. He doesn't like the idea of being immortal and killing people when the moon is full, so he tries to find Dr. Frankenstein, in the hopes that the Dr. can cure him, but Frankenstein is dead and only his Monster is alive and this one wants to live, not to die like the Wolfman.

Sherlock Holmes investigates a series of so-called "pajama suicides". He knows the female villain behind them is as cunning as Moriarty and as venomous as a spider. Based on "The Sign of Four" and the short stories "The Dying Detective", "The Final Problem", "The Speckled Band" and "The Adventure of the Devil's Foot".

A young woman is torn between a wealthy suitor who wants her body and the honest young man who wants what's best for her.

Slowly dying of an unspecified illness, wealthy invalid Charles Sellon wants his aide Neil Hamilton to end his suffering. Hamilton won't do it, but villainous lawyer Alan Dinehart, in line to inherit Sellon's millions, is not so charitable. Dinehart kills Sellon, then makes it look as though Hamilton murdered the old guy for his money.

Men try to understand the women in their lives.

A power-broker ward-heeler, Bill Grimes, wields more power than the elected politicians and has no problem in getting matters-of-the-city handled in which ever way is best for his needs. But when he tries to fix his adored kid brother's place on the school football team, he meets his match in school-teacher Anne Barry.

An impoverished racetrack tout discovers that a crooked trainer is about to throw a race involving a nobleman's horse.

The City is a lost 1926 silent film produced and released by the Fox Film Corporation. It was directed by Roy William Neill and is based on Clyde Fitch's 1909 Broadway play. A previous film on Fitch's play appeared in 1916. This version has been updated to contemporary 1926

An inventor makes contact with Mars via television. The film is notable for using the 3-D process called Teleview, similar to today's alternating frame 3-D systems. Shown in 3-D only at the Selwyn Theater in New York City, it was previewed as Mars Calling at a trade and press screening on 13 October 1922, premiered as M.A.R.S. on 27 December 1922, and ran through 20 January 1923. A 2-D version was distributed as Radio-Mania in 1923–1924.