The Mermaid Frolics

King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".

Life's questions are 'answered' in a series of outrageous vignettes, beginning with a staid London insurance company which transforms before our eyes into a pirate ship. Then there's the National Health doctors who try to claim a healthy liver from a still-living donor. The world's most voracious glutton brings the art of vomiting to new heights before his spectacular demise.

Eccentric aliens give a man the power to do anything he wants to determine if Earth is worth saving.

Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.

Terry Jones presents Boom Bust Boom. The result of a meeting between writer, director, historian and Python Terry Jones and economics professor and entrepreneur Theo Kocken. Co-written by Jones and Kocken and featuring John Cusack, Nobel Prize winners Daniel Kahneman, Robert J Shiller and Paul Krugman, the film is part of a global movement to change the economic system through education to protect the world from boom and bust. A unique look at why economic crashes happen, Boom Bust Boom is a multimedia documentary combining live action with animation and puppetry to explain economics to everyone.

May 1917. Sixteen year old Indiana Jones joins an international trio of spies plotting against their German counterparts in the neutral city of Barcelona. After his old acquaintance Pablo Picasso helps him get a job at Sergei Diaghilev's Ballets Russes, Indy devices a plan to forge a love letter written by the German cultural attaché to make it seem he is having an affair with the Countess of Toledo. In August of the same year, Indiana is reassigned to Prague where he is to receive an important phone call. Unfortunately his hotel room proves to be unequipped with a phone. Indy heads for the Ministery of Telephones, where he learns that having to confront Czech bureaucracy can be quite a trial.

Jailed for his reckless driving, rambunctious Mr. Toad has to escape from prison when his beloved Toad Hall comes under threat from the wily weasels, who plan to build a dog food factory on the very meadow sold to them by Toad himself. This fantastic roller-coaster ride of hilarious adventures was both written and directed by Terry Jones, who also plays the central role of Mr. Toad. Alongside three former Pythons are a gallery of well-known faces all bringing wit and wonder to a feast of colourful characters. An absolutely charming film to delight children and adults alike, The Wind in the Willows is a perfect updating of Kenneth Grahame’s well-loved children’s classic.

The story of the rise of a madame of a suburban brothel catering to older men, inspired by the real experiences of Cynthia Payne. The story follows Christine Painter (Julie Walters) as the down-at-heel waitress who, with the help of prostitute Shirley (Shirley Stelfox) and cross-dressing Wing Commander Morten (Alec McCowen), seeks to up her earnings by turning her suburban home into a brothel. Before long she and her girls are chaining up judges, spanking Generals and attending to the needs of Honourable Members. Christine sees herself as providing a vital service to these harmless pervs and when finally the house is busted and the case comes to court, it's fair to say that the presiding judge isn't unfamiliar with her work.

Erik the Viking gathers warriors from his village and sets out on a dangerous journey to Valhalla, to ask the gods to end the Age of Ragnorok and allow his people to see sunlight again. A Pythonesque satire of Viking life.

The Alberts (Bruce Lacey, Tony Gray and his brother Dougie Gray) attempt to take off. There are two edits of this film, both with their own distinct ending.

A look into the life of Brett, a boy born without arms due to thalidomide exposure.

With unprecedented access, this program reveals the humour, chaos and passion that went into bringing the Flying Circus to the stage cumulating in the legendary One Down, Five To Go.

Amnesty decided not to present a benefit show in 1978 in order to consider how to make better use of the performing talent so favourably disposed to assist it in raising funds. Peter Luff left Amnesty in 1978 and the organisation's new fund-raising officer, Peter Walker, was deputed to work with Lewis on reconfiguring the show to raise more money and greater awareness of Amnesty. Lewis proposed to Cleese that in addition to the comedy performances the show should feature some contemporary rock musicians. Cleese delegated this responsibility to Lewis who recruited Who guitarist Pete Townshend to perform, as well as New Wave singer-songwriter Tom Robinson.

Directed by Roger Graef.

A drama-documentary reflecting the pressures afflicting the modern police community both at work and home. About a London cop who transfers to the country, and his wife who joins the anti-nuclear lobby.

The first of the Amnesty International comedy benefit galas. The title is a play on the phrase at Her Majesty's pleasure (the show was performed at Her Majesty's Theatre, London). This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas...