The Money

The history of Bugs Bunny in under four minutes using clips from various cartoons.

A once-successful architect (Philip Baker Hall) has become a grumpy loner, but a young couple plead with him to come out of retirement to rebuild his crumbling old house for them.

Documentary on Jonas Mekas and the American avant-garde cinema, with several new interviews and appearances and over 100 excerpts and examples. Detailed sequences on Mekas, Stan Brakhage, Kenneth Anger, Peter Kubelka, Bob Downey, Su Friedrich, and Anthology Film Archives.

The extraordinary life of Orson Welles (1915-1985), an enigma of Hollywood, an irreducible independent creator: a musical prodigy, an excellent painter, a master of theater and radio, a modern Shakespeare, a magician who was always searching for a new trick to surprise his audience, a romantic and legendary figure who lived only for cinema.

HBO documentary about movies

Documentary portrait of Andy Warhol.

The film centers on Howard F. Howard, an overweight everyman. Engaged to Beverly, the woman of his dreams, Howard has one problem - an overactive fixation with The Three Stooges. Everywhere Howard goes, he sees Moe Howard, Larry Fine and Curly Howard intruding on his life. Determined to overcome his fixation, Howard and Beverly prepare for their wedding. But on his way to the ceremony, Howard descends into Stoogemania and finds himself walking into the city streets with other Stoogemaniacs. His only hope is commitment to the Stooge Hills sanitarium, under the care of a renowned psychologist, until the inmates take over the asylum on graduation day.

This short film, released by the Writers Guild Foundation in 1987, honors the craft of screenwriting and the writers behind our favorite lines and cinematic moments. Written and directed by Academy Award winning filmmaker Chuck Workman, it was screened at film festivals and college campuses around the country to inspire writers and celebrate the importance of the written word in entertainment.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.