The Murderer Lives at Number 21

As Dominique Marceau is being tried for the murder of Gilbert Tellier, accounts by different witnesses paint a picture of the kind of relationship the two used to share.

Abandoned documentary on the country Brazil which director Clouzot wanted to make while on honeymoon with his wife Véra Clouzot whose of Brazilian origin. Only an introductionary section set in Paris was ever filmed.

The plot concerns a doctor at a run-down psychiatric hospital, who is offered a large sum of money to shelter a new patient. Soon the place is full of suspicious and secretive characters, all apparently international secret agents trying to find out who and what the patient is.

The cruel and abusive headmaster of a boarding school, Michel Delassalle, is murdered by an unlikely duo -- his meek wife and the mistress he brazenly flaunts. The women become increasingly unhinged by a series of odd occurrences after Delassalle's corpse mysteriously disappears.

Jenny Lamour sings in a music hall in postwar Paris, accompanied by her husband, Maurice Martineau, on piano. When Martineau notices his wife flirting with an older businessman named Georges Brignon, he follows her to Brignon's house with the intent to kill him. At the house, Brignon is found murdered -- but by someone else. Inspector Antoine conducts an investigation that implicates Martineau, whose planned alibi comes loose.

Return to Life (French: Retour à la vie) is a 1949 French drama film directed by Georges Lampin, André Cayatte, Henri-Georges Clouzot and Jean Dréville. It was entered into the 1949 Cannes Film Festival.

A provincial ingenue leaves her mother’s tobacco shop with dreams of a life in the Parisian theater, only to become entangled in relationships with a lecherous aristocrat, his starry-eyed nephew, and an old ham actor.

An expressionist comedy greatly influenced by German Expressionism set in a bohemian enclave of northern Paris, which Clouzot made shortly before he served as assistant director to Anatole Litvak and E.A. Dupont and began scripting French versions of German films at Berlin’s UFA studios.