The Navigator: A Medieval Odyssey

Toss lives on a sheep farm with her father in New Zealand. When Toss's father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss's fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.

Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.

Malfred Signal leaves her life of stifling gentility as an art teacher in a South Island private girls' school and decides to live out her dream – painting alone in the remote North. One terrifying night, beset by a prowler, but confronting only her own image at every step, she relives her past.

Fantastic improbabilities, happenstance and the undying bridge of love are part of this romantic fantasy about an Inuit who crosses years, oceans and the ravages of WWII to find his childhood love, a Metis girl, but finds that their cultures are the most difficult spaces to gap.

This is the story of Puhi, an aged Maori woman and Niki, her fully grown but wholly dependent son. The world they occupy is not a world of large events but the rituals of everyday life, traditions and interdependence. “In Spring One Plants Alone” documents the minutiae of their very enclosed existence. Filmed over a period of one and a half years, it emerges as a rare, haunting and powerful portrayal of their life together. This is the story of their rituals and of their survival. The small and disconnected instances that we encounter form a lone vision of the rifts and the bond between an old woman and her disturbed son.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

An intimate story set during the 1860s in which a young Irish woman Sarah and her family find themselves on both sides of the turbulent wars between British and Maori during the British colonization of New Zealand.