The Other Man

An old woman in a rocking chair listens to a disembodied voice (her own) that recounts her life and that of her mother's. When the voice stops, she calls for more.

Royal Opera House, Covent Garden, London Live showing of Verdi's Traviata with subsequent re-screenings Violetta, a Parisian courtesan suffering from tuberculosis, is throwing a party to celebrate her recovery. A young nobleman, Alfredo, plans to attend, and has long been in love with Violetta. Before long, Violetta has fallen for him as well, but Alfredo's father disapproves of their relationship. He convinces Violetta to leave Alfredo for the sake of his family's image, not realising how ill she really is. Richard Eyre's production of 'La Traviata' immerses the audience in the indulgence of 19th Century Paris, a vivid setting for Verdi's famous score.

Catharine Holly, a poor relation of a prominent New Orleans family, seems to be insane after her cousin Sebastian dies under mysterious circumstances on a trip to Europe. Sebastian's mother, Violet Venable, trying to cloud the truth about her son's homosexuality and death, threatens to lobotomize Catharine for her incoherent utterances relating to Sebastian's demise. Under the influence of a truth serum, Catharine tells the gruesome story of Sebastian's death by cannibalism at the hands of locals whose sexual favors he sought, using Catharine as a device to attract the young men (as he had earlier used his mother).

Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.

Madame Ranevsky and her daughter Anya return home from Paris to find that their beloved family estate and cherry orchard are to be auctioned off to pay debts. Lopahin, a former serf on the estate who is now a walthy landowner, proposes razing the home and cherrt orchard and dividing the estate into plats that could be leased at great profit. The family, however, continues to hold out hope that their beloved home can somehow be saved from destruction.

A farmer becomes an unintentional celebrity when, because of a strike, he has to walk his 5000 geese 100 miles to market.

Adaptation of Shakespeare's play.

Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

In the midst of a marital crisis, a High Court judge must decide if she should order a life-saving blood transfusion for a teen with cancer despite his family's refusal to accept medical treatment for religious reasons.

Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.