The Owls

After a stint in a juvenile detention center, Treasure is transferred to an adult prison where her mother, whom she has never met, is also imprisoned. Before long, Treasure encounters Brownie, a lifer and gang leader. Brownie reveals that she is Treasure's mother, and takes the girl under her wing, protecting her from the dangers of hardcore prison life. But some women in Brownie's gang resent Treasure's presence, leading to violent conflict.

Valencia is a collaboration between a national community of queer filmmakers to adapt the underground classic memoir into a kaleidoscopic vision of San Francisco's Mission District in the early 90s during the rise of a punk lesbian diaspora told through the experiences of Michelle, a single rootless twenty-something searching for sex and love, drugs and adventure.

A trio of young men are forced to grow up quick when their girlfriends all become pregnant around the same time.

Two sisters, Nova Bordelon and Charley Bordelon, with her teenage son Micah moves to the heart of Louisiana to claim an inheritance from her recently departed father - an 800-acre sugarcane farm.

Black - once Blue - is now a trans man who works as a security guard in an apartment complex in Oakland. One night, Black notices an ex- girlfriend partying with some other women in one of the buildings. As none of the other security guards want to watch 'the lezzie party', Black volunteers to, thinking he may resolve some inner conflicts from the past. However, things take a turn for the worse.

Cheryl, playing herself, humorously experiences the mysteries of lesbian dating in the '90s.

Over twists, presses, and wash-and-goes, filmmaker Cheryl Dunye joins other clients and hairstylist DiAna DiAna in her South Carolina salon to discuss the current impact of AIDS on Blacks in the south, and what has changed and stayed the same since DiAna was featured in a seminal short video by Ellen Spiro thirty years ago.

Short film created for the 2014 San Francisco Dance Film Festival's Co-Laboratory project. Choreographed and performed by Jocquese Whitfield.

Is it who you do, or what you do?

The story of a black lesbian's relationship with a white, upper middle class high school girl.