The Return of Amílcar Cabral

As in the original paradise, the inhabitants of the Bissagos archipelago, located in the west coast of Africa, live according to ancient traditions and in absolute respect for nature, until a gang of drug dealers occupies their sacred islands. The medicine man dies and everything seems lost, until his young successor decides to fight the invaders to save the village.

This film documents the festivities and different stages of an initiation ritual of a Balanta community in Guinea Bissau. The filmmaker Sana na N'Hada, belonging to that same community, at the time of the film production was himself not initiated. Many years later Sana na N'Hada finally experiences the process through Fanado, what produced the acknowledgement of a personal conflict with his own film: the modernist ethnological look casted upon the events, articulated with his comments in the French language contrasts with the ungraspable, implicated in the opacity of those practices.

The film tells the tale of Iala, whose authority over his two sons, Raul and Bedan, is shaken. Raul has left to study in a seminary in the big city, where unknown to anyone, he has joined the liberation movement. Meanwhile, younger son, Bedan is rebelling against every possible tradition, even eyeing his father's young bride-to-be.

A young African woman learns that finding love and happiness need not come at the sacrifice of one's identity in director Flora Gomes 2002 romantic musical My Voice. Young and beautiful, Vita (Fatou N'Diaye) decides to leave her home in West Africa to study in Paris. Before Vita leaves, her mother (Bia Gomes) nervously reminds her of the family curse stating that any female in their lineage who sings will be struck dead. Vita reassures her mother that she will do no such thing and leaves to begin her new life. Shortly after arriving in Paris, however, she meets and falls in love with a young French musician named Pierre (Jean-Christophe Dolle), who -- in a moment of romantic abandon -- convinces Vita to sing. Pierre's astonishment at Vita's obvious talent for music prompts him to convince her to record an album, which she does but almost immediately regrets upon remembering her promise to her mother about the curse.

A beautiful, intelligent and flirtatious young girl, Yonta, is secretly in love with a friend of her parents, Vicente, a hero of the war of independence. Vicente is unaware of her passion as she is of the love of a young man who sends her anonymous love letters.

A documentary shot in Guinea-Bissau, Cape Verde and Portugal that includes a series of interviews and testimonies of people who lived through the period of the anti-colonial war and liberation in Guinea-Bissau. This documentary, directed by Diana Andringa and Flora Gomes, sets the tone for a debate around the themes of reconciliation and historical memory in the post-conflict period of the Portuguese colonial war.

Done in the style of an African folk tale, this film, a collaboration between European and African countries, is said to be among the most elaborate, high tech film in African film. Exquisitely photographed and filled with archetypal figures to create a poetic look at nature's revenge against those who would exploit her. It is set in the forest village of Amanha Lundju, a place where the birth of children is celebrated by the planting of a tree. The trees are considered spiritual twins. But for every tree planted, the rapacious state destroys many more for firewood and lumber.

The story of a woman who searches through the country for her husband, a resistant, while the war for independence is raging. She finds him at last and saves his life. When peace finally arrives, they have to learn how to be together again and start living in a destroyed land.

In West Africa, there's a small country every adult abandoned. The children get organized and the Children's Republic becomes a stable and prosperous country. But the children can no longer grow up.