The Tango of the Widower and Its Distorting Mirror

A mediocre pulp novelist is approached by a stranger claiming to be a serial killer with a proposition to chronicle his crimes.

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

Jim is a small child who lives in an inn run by his parents. The arrival of a strange captain to the Island they live will trouble his existence and tip him into an universe of adventures.

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

Ruiz, rediscovering the things of his past in Chile ten years after the Coup, regards them now with the eyes of another world. This other world is cinema, the mechanical gaze of a Super 8 camera. This eye sees very deeply, even beyond reality and brute memory.

A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.

Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

Chilean director Valeria Sarmiento weaves a tale of love, betrayal, and civil unrest centering around a nightclub in 1950s pre-Communist Cuba in her 2002 romantic drama Rosa La China. Notorious businessman Santiago Ordenez (Juan Luis Galiardo), who primarily goes by the nickname Dulzara, operates a high-profile club/casino with the protection of some local politicians with whom he has dubious relationships. A large portion of the club's success is due to its star singer, Rosa (Luisa Maria Jiminez), who also happens to be Dulzara's lover. Rosa, however, has recently started into another affair with a somewhat younger womanizer named Marcos (Abel Rodriguez).

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal in Valeria Sarmiento’s intimate epic.

The story of the adventures, in the twilight of the eighteenth century, of a singular couple formed by a little orphan with mysterious origins and his young Italian nurse of a similarly uncertain birth. They lead us in their wake, from Rome to Paris, from Lisbon to London, from Parma to Venice. Always followed in the shadows, for obscure reasons, by a suspicious-looking Calabrian and a troubling cardinal, they make us explore the dark intrigues of the Vatican, the pangs of a fatal passion, a gruesome duel, banter at the court of Versailles and the convulsions of the French Revolution.

A brutal sexual murder of a minor revolts the anger of the town. On the other hand, a psychologist, Sofia Belmar is not only shocked by the event, but this also brings back some of her more gruesome memories.

Documentary about Cuban education.

The story of a neurotic bachelor who, after marrying a beautiful woman, submits her to increasingly deranged accusations of infidelity and pleas for forgiveness.

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

A well-bred young woman who prizes the virtue of fidelity remains faithful to the doctor who deflowers her, even after he marries her invalid sister.

Madeleine is with her lover, Jean-Paul, when her husband arrives home and catches the two together. Madeleine kills her husband and tells Jean-Paul to flee before the police arrive. After Jean-Paul drives away, he picks up a hitchhiker. When the car, stolen by the hitchhiker, explodes, police believe the dead hitchhiker is Jean-Paul. Madeleine takes up with Jean-Paul's brother, Bastien, while Jean-Paul, arriving in Strasbourg, is mistaken for the heir to a fortune. The detective on the case spends more time writing crime novels than investigating real-life crimes.

In the autumn of 1810, the French forces of Marshal Masséna are invading Portugal and are temporarily halted by the Anglo-Portuguese army under Viscount Wellington at the Battle of Bussaco. As a bitter winter approaches, Wellington withdraws his troops towards the fortifications he has prepared in secret at the Lines of Torres Vedras. Using a scorched earth defence, he forces the inhabitants to evacuate the land in front of the Lines and destroys all supplies which could be useful to the French. The film illustrates these dramatic events by a series of vignettes which show the effects on combatants, both regular soldiers and guerrillas, and on the civilian population.