The Touch

The movie is a sequel to Bergman's Scenes from a Marriage (1973), where we revisit the characters of Johan and Marianne, then a married couple. After their divorce, Johan and Marianne haven't seen each other for 32 years. Marianne is still working, as a divorce lawyer. Johan is quite well off and has retired to a house in the Orsa finnmark district of Sweden. On a whim, Marianne decides to visit him. Johan's son from a previous marriage, Henrik, lives nearby in a cottage with his daughter Karin, a gifted cello player. The relationship between father and son is strained. Plot by Mattias Thuresson.

The Image Makers is a 2000 Swedish television play directed by Ingmar Bergman and written by Per Olov Enquist. The drama is set in the year 1920 at Filmstaden where the film director Victor Sjöström is shooting the film The Phantom Carriage, an adaptation of Selma Lagerlöf's novel Thy Soul Shall Bear Witness! Accompanied by actress Tora Teje and film photographer Julius Jaenzon, he has now invited the book's authoress to take a first look at some early scenes.

A fictional meeting at the headquarter of the Swedish Film Industry between the former director Georg af Klercker and the business man behind SF (Svensk film): Director Charles Magnusson. A drunk and bitter Klercker baffles on about old movies, shared memories from their time together in Lidingö. Can he get a chance to make a new movie?

Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.

In 1969 he made, with Sven Nykvist as cinematographer, The Fårö Document, a film that ended with a rather pessimist view of the island’s future. One of the scenes in the film is of a school-bus and its young passengers. To these and to the realities ten years later Bergman returns in the long documentary Fårö Document 1979.

Susanne is a woman in her mid-30s and the owner of a modeling agency in Stockholm. She accompanies her prize model, Doris, on a trip to Gothenburg so that Doris can be photographed. While traveling, both women seek out romance, Susanne with a married lover and Doris with an older gentleman who sees his deceased wife in the young model. The two women struggle to understand their romantic motivations and in the process form an unlikely friendship.

The Serpent's Egg follows a week in the life of Abel Rosenberg, an out-of-work American circus acrobat living in poverty-stricken Berlin following Germany's defeat in World War I.

Stimulantia is a 1967 Swedish anthology film comprising eight episodes by eight different directors including Ingmar Bergman, Jörn Donner, Gustaf Molander and Vilgot Sjöman and starring among others Ingrid Bergman, Harriet Andersson, Gunnar Björnstrand, Lars Ekborg and Inga Landgré.

The Making of Fanny and Alexander is a fascinating look at the creation of a masterpiece. Directed by Ingmar Bergman himself, this feature-length documentary chronicles the methods of one of cinema’s true luminaries as he labors to realize his crowning production.