The Twelve Chairs

The most important silent film by director Martin Frič. Poet Vitezslav Nezval did scenographic modifications to the original story by Václav Wasserman. Film producer Jaroslav Stransky didn’t witness premier; because of fear of financial collapse, he killed himself.

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

Small stories from a grammar school.Děj je poskládán z celé řady epizod, které během jednoho školního roku prožívají septimáni. Jejich pojítkem je příběh profesora přírodopisu Matulky, starého mládence a věčného suplenta, který si z přehnané svědomitosti ani v pokročilém věku netroufá složit tu poslední státnici. Stále se mu totiž zdá, že ještě něco nezná, a tak by snad bez diplomu odešel i do penze. Naštěstí jsou tu jeho studenti, kteří sice dávají dobráckému učiteli pěkně zabrat, ale po nezodpovědné klukovině s bouchacími kuličkami, kdy se Matulkovi udělá špatně, se kluci vzpamatují a s pomocí mladého profesora, někdejšího Matulkova žáka, připraví šlechetnou lest. Pod záminkou nákupu k doplnění školní entymologické sbírky je vylákán ke zkoušce u laskavého profesora Vondráka. (oficiální text distributora)

Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.

Fifty years old Baron von Fibberg lives at The Fibberg Castle with his wife Olga and daughter Charley. Besides the delight in hunting, Baron is very enthusiastic about truth. Although he can't withstand any falsehood of others, he keeps his own intimate secrets from his wife. Charley seems to be an innocent girl at first glance, but she has a little secret too. She fell in love with a young fop Ernest Benda and married him in secret. Her only concern is the way, how to let her strict father know about the marriage. Together with her husband they prepare a plan how to do it, but it turns out to be a catastrophe for the whole family.

The Trap (Czech: Past) is a 1950 Czech drama film directed by Martin Frič. It was entered into the 1951 Cannes Film Festival.

Wealthy and ill Petr Kornel (Karel Hasler) is not pleased with the carousing lifestyle of his nephew. He stops supporting him financially and demands that he change his name. Out of gratitude Kornel bequeaths a substantial sum of money to his nurse Alice (Adina Mandlová) with the condition that she marries. Petr Suk (Hugo Haas), as the nephew is now named, visits the doctor. In the waiting room his X-ray is mistakenly switched with one of another patient's. On the basis of this he presently learns that he is seriously ill and has only one day of life left to him.

Vlasta Burian appears in a town of Czarist Russia impersonating an Inspector General, and he is entertained lavishly by the local political-hacks and peasants seeking his favor for whatever they are advocating or need fixed. Burain is involved in a series of comical situations as he takes everything he can gets his hands on while the peasants, who must plead for the betterment of their conditions, are left on the outside-looking-in. He makes his escape just as the real Inspector General is set to appear, but those-in-need will be no better off when the real McCoy shows up then they were with Burian.

Jaśnie Pan Szofer is a 1935 Polish romantic comedy film directed by Michał Waszyński.

Polish Musical/Comedy starring Eugeniusz Bodo.

Directed by Michal Waszynski.

A sculptor is desperately looking for a model for his latest work entitled New Venus. One day he meets girl who seems like perfect candidate. Soon, they both fall in love with each other.