The Wedding Night

A 1935 B&W Chinese movie, with Chinese intertitles. It stars Ruan Lingyu and Lily Li, two of the biggest female stars of the era, and was Ruan Lingyu's final role, being released after her suicide. It was filmed by Kuomintang-aligned Bo Ying Studios.

Tragedy strikes two pairs of lovers and a family, just three days after a happy marriage.

Yang Mengchi is a spoiled, rich do-nothing whose habit of smoking opium has cost him his entire fortune and the family mansion, the Garden of Repose, now due to be sold to Yao Guodong. Fearing that Yao's spoiled and unruly son Siaofu will follow in Yang's footsteps, Yao's stepwife Wan Zhaohua tries to instil discipline in the child but her efforts are undermined by the child's indulging and protective father and grandmother. Unable to reform himself despite his own son's chastisement, Yang leaves home to lead a reclusive life in a destitute temple, only helped out by his filial daughter Han'er. The poverty-stricken Yang is drafted into the army and tragedy ensues.

A Chinese film

A wedding musician fails to wed his own love: Little Trumpet is raring to marry his childhood sweetheart, but a series of setbacks has prevented them from getting their way. Criticism against social formalities becomes all the more forceful with the clever use of contrast and irony, not to mention the realist and comedic touch a la Zhu Shilin. Of special mention is the famous teahouse scene where dynamic, melodic camerawork creates a hilarity that continues to amaze to this day. A genuine masterpiece with every single detail, down to the minor props, forming an integral part of a whole. Today, young couples are struggling nonetheless to get a roof over their heads, a testimony to the fact that poverty still reigns beneath the facade of harmony and stability after all these years.

Three stories about art stages. "Film City", "Drama Group" and "Dance Class".

The film focused on a conflict between Empress Dowager Cixi, her son Guangxi (the nominal emperor) and his wife, Zhenfei.