The Young Diana

Seventeen year old William Sylvanus Baxter has fallen madly in love with young coquette, Lola Pratt. After spending all of his money on the fickle girl, she runs off with an older man. William now heartbroken, contemplates suicide, until a friend from childhood, May Parcher, pays a visit and William decides to fall in love with her.

In the seventeenth century, in Massachusetts, a young woman is forced to wear a scarlet "A" on her dress for bearing a child out of wedlock.

Medical intern Robert Morley is distraught after his wife dies in childbirth. He's resentful of his new son and wants nothing to do with him. He leaves the child with his aunt and uncle and heads off to Europe to pursue his medical studies. Morley returns to his hometown six years later, now a successful doctor and engaged to be married to a beautiful socialite. He also feels differently about the boy and attempts to gain custody from his aunt and uncle.

An extravagant girl reforms when her father goes bust.

Even though society debutante Vivian Tyler (Pauline Frederick) is engaged to Count Belloto (Frank deRheim), she finds herself attracted to Dr. Robert Keith (Thomas Meighan). Keith works amongst the poor, and his wealthy benefactors include Vivian's father (Charles Wellesley). But when Vivian meets streetwalker Aggie May (Alice Hollister), she mistakenly believes that Keith is responsible for the woman's downfall.

Clara Kimball Young stars as Mary Saurin, a British gentlewoman who journeys to South Africa to visit her district-commissioner brother Dick (Henry Woodward). Upon arriving, she is introduced to Major Anthony "Kim" Kinsella (Milton Sills), the most important and influential Army officer in the region. Falling in love with Kinsella, Mary agrees to marry him, but he is apparently killed in a native uprising.

Eleanor Warren is loved by Harold Rives, a struggling artist. Although fond of the young man, Eleanor longs for the comforts of wealth.

Just as he is appointed guardian of his niece, Helen, aged John Graham dies. Butts, his valet, conceives the idea of assuming Graham's identity. Aided by Stone, the rascally butler, Butts plans to send Helen to an insane asylum and seize her fortune.

Driven to desperation by the enmity of Jane, her step-daughter, Sarah, Dean's second wife, turns to Ware, a friend of the family and a former suitor, for advice. Jane learns that her stepmother has gone to call upon Ware. Realizing the unhappiness her conduct has caused, the girl is stricken with remorse. Knowing that her father would misconstrue Sarah's visit to Ware, the girl hastens to the man's home to meet her stepmother. Sarah is fallen aback when Jane finds her with Ware, but is filled with happiness when the girl announces her desire for a reconciliation.

Don Packard, an artist, forgets his country sweetheart, Martha, and falls in love with his model, Linee. The boy marries Linee and takes her to his home. Martha conceives a hatred for Linee when she discovers that the girl has robbed her of her lover. Don's father, a parson, is horrified when he learns of his son's worldly wife. When Linee realizes the trouble her marriage to Don has caused, she runs away, Martha does her utmost to stir up trouble. For two years Don searches in vain for Linee, who has become a cabaret dancer. Dupree, a Frenchman, falls in love with the girl, but she repels his advances, Don enters the restaurant just as Dupree, mad with jealousy, attempts to shoot Linee.

The rebellion of 1832 is on. There is rioting and barricading in the streets. Marius in despair, and in the hope that a bullet will soon end his life, joins the mob and becomes a fighter in the ranks of the insurgents.

A insane child killer is loose! He finds a place to hide. A home where a little girl and an infant are alone.....

An actress returns from the theatre and discovers her apartment has been burglarized; she lights a cigarette and the room catches fire; the burglar saves her life, and she, in return, saves his, and he returns her jewels.

The story begins with Jean Valjean as a humble worker endeavoring to provide for his invalid mother. They live in a squalid home, made more wretched by his inability to provide sufficient food. He goes out in search of work, but is unsuccessful. Finally, in desperation, he steals a loaf of bread regardless of consequences. He hastens home with it, pursued by a crowd, and gives it to his mother. Valjean is arrested for the theft and sentenced to five years at hard labor.

When a dandy steals a woman's jewels, a vindictive poor man turns it into something else.

Directed by Albert Capellani.

This is a compact telling of the Cinderella fairy tale and the film is elaborately staged. It’s more cinematic than a lot of the other films of this time, using some real locations and three-dimensional sets rather than simple painted backdrops. There’s an impressive effect where a wall blows in to reveal what is happening elsewhere in the story world. I found the film a little dull overall though due to the overly familiar story.

In Britain, during the revolution, the nephew of the Marquis de Lantenac, Gawain (P. Capellani) befriends Cimourdain (H. Krauss), a priest who follows the precepts of the Revolution. During the Terror, the Marquis went into exile in England while his nephew is a soldier in the Revolutionary Army ...

The story of a free-spirited Bohemian. Capellani would remake the film in 1916 with a longer runtime.

Oh Boy! 1919 film