This Is Orson Welles

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

The dashing and dazzling Douglas Fairbanks was the movie star who "swash buckled in Zorro, dueled exuberantly in Robin Hood and soared magnificently in The Thief of Bagdad". He was the "First King of Hollywood". His life story unfolds with American history and the emergence of the film industry as backdrop. His style made him the perfect American icon. At a time when the country did not have any self-doubt, he represented America like no one else: strong, confident, heroic, smiling and conquering. He was "Everybody's Hero". He married the "America's Sweetheart"; Mary Pickford, he also started, with Pickford, Chaplin and Griffith, the United Artists Studio which is still a Hollywood player today. This film is the life of Douglas Fairbanks in a first person narration.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.

A documentary about the pioneer of independent American cinema and television by sisters Julia and Clara Kuperberg, who specialize in documentaries on American film history. We follow Ida Lupino's journey from being a teenage Hollywood star, through social realism cinema, to her appearances in popular television series.

Martin Scorsese, in New York, talks about the musics in his films and all his influence and great composers as Bernard Herrmann or Bernstein. From Mean Streets to Aviator.

Milos Forman and guests look at his career from his departing Czechoslovakia and his arrival in America with stories and interviews about The Fireman's Ball, One Flew Over the Cuckoo's Nest, Amadeus, The People Vs Larry Flynt, and The Man on the Moon.

Story of a director Stanley Donen, king of Hollywood musicals and man behind such classics as "Singin' in the Rain".

John Wayne, Henry Fonda and James Stewart discuss working with John Ford

Sophisticated and sexy, yet crazy. Stylish and smart. When New York screenwriters got jobs in Hollywood in the 1930s, both the tempo and the temperature in the studio rose. It was called "screwball" and it only lasted for ten years.

The dashing and dazzling Douglas Fairbanks was the movie star who "swash buckled in Zorro, dueled exuberantly in Robin Hood and soared magnificently in The Thief of Bagdad". He was the "First King of Hollywood". His life story unfolds with American history and the emergence of the film industry as backdrop. His style made him the perfect American icon. At a time when the country did not have any self-doubt, he represented America like no one else: strong, confident, heroic, smiling and conquering. He was "Everybody's Hero". He married the "America's Sweetheart"; Mary Pickford, he also started, with Pickford, Chaplin and Griffith, the United Artists Studio which is still a Hollywood player today. This film is the life of Douglas Fairbanks in a first person narration.

This documentary by Clara and Julia Kuperberg examines how a set of moral guidelines known as the Hays Code influenced movie-making in Hollywood from the 30s through to the late 60s.

During the 1930s anti-Semitism was rampant not only in Germany but also in America. There was a German American Bund and pro-Nazi rallies even filled Madison Square Gardens in New York City. And the US was isolationist. Until Pearl Harbor, then, everything changed. Spymasters throughout the 20th century, and particularly during times of conflict, thought it advantageous to enlist the services of celebrities who had high level and powerful "fans" in various industries, many with easy access to politicians and high ranking government officials. Hollywood, as we now know from declassified National Archive documents, aided in the mobilization for war and its people contributed as spies, combatants, propagandists, documentary and fund-raisers, entertainers, and morale-boosters. Hundreds of celebrities eagerly answered the "call to arms" and brought their talents and patriotism to the intelligence services, military and war information offices.

A documentary about the pioneer of independent American cinema and television by sisters Julia and Clara Kuperberg, who specialize in documentaries on American film history. We follow Ida Lupino's journey from being a teenage Hollywood star, through social realism cinema, to her appearances in popular television series.

Milos Forman and guests look at his career from his departing Czechoslovakia and his arrival in America with stories and interviews about The Fireman's Ball, One Flew Over the Cuckoo's Nest, Amadeus, The People Vs Larry Flynt, and The Man on the Moon.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.