This Unnameable Little Broom

Filtering a huge range of literary, musical, cinematic and philosophical influences through their own utterly distinctive sensibility, each Quay film is a dialogue-free and usually non-narrative experience, riveting the attention through hypnotic control of décor, music and movement. With a grasp of the uncanny that rivals Luis Buñuel and Lewis Carroll, their films evoke half-remembered dreams and long-suppressed childhood memories, fascinating and deeply unsettling by turns. This colection is a selection of 13 short films.

Tom Waits, the brothers Quay, and a dog door.

"Maska" is the latest animated film of Quay brothers, directors and puppet animators, with the music composed by Krzysztof Penderecki. The film is an adaptation of Stanisław Lem’s short story of the same title. The action of “Maska” is set in a technologically developed but, at the same time, feudal world. Beautiful Duenna was created in order to carry out certain mission. However, she will be forced to choose between accomplishing the task she was created for and love.

Two of the world’s most original filmmakers, identical twins Stephen and Timothy Quay have been creating their unique blend of puppetry and stop-motion animation for nearly 30 years and have spawned an enormous cult following. The Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES -- which filmmaker Terry Gilliam recently selected as one of the ten best animated films of all time -- they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Stop-motion animated short film in which a puppet, newly released from his strings, explores the sinister room in which he finds himself.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

Ten stop-motion animation works by brilliant animators The Brothers Quay, including six previously unavailable shorts and two unique music videos by “His Name is Alive.”

Filtering a huge range of literary, musical, cinematic and philosophical influences through their own utterly distinctive sensibility, each Quay film is a dialogue-free and usually non-narrative experience, riveting the attention through hypnotic control of décor, music and movement. With a grasp of the uncanny that rivals Luis Buñuel and Lewis Carroll, their films evoke half-remembered dreams and long-suppressed childhood memories, fascinating and deeply unsettling by turns. This colection is a selection of 13 short films.

Tom Waits, the brothers Quay, and a dog door.

"Maska" is the latest animated film of Quay brothers, directors and puppet animators, with the music composed by Krzysztof Penderecki. The film is an adaptation of Stanisław Lem’s short story of the same title. The action of “Maska” is set in a technologically developed but, at the same time, feudal world. Beautiful Duenna was created in order to carry out certain mission. However, she will be forced to choose between accomplishing the task she was created for and love.

Two of the world’s most original filmmakers, identical twins Stephen and Timothy Quay have been creating their unique blend of puppetry and stop-motion animation for nearly 30 years and have spawned an enormous cult following. The Quays display a passion for detail, a breathtaking command of color and texture, and an uncanny use of focus and camera movement that make their films unique and instantly recognizable. Best known for their classic 1986 film STREET OF CROCODILES -- which filmmaker Terry Gilliam recently selected as one of the ten best animated films of all time -- they are masters of miniaturization and on their tiny sets have created an unforgettable world, suggestive of a landscape of long-repressed childhood dreams.

A woman sits alone on a chair at a table in a room on one of the top floors of an asylum. Bright spot lights dot the night, sometimes shining on her window. She sharpens pencils and writes on a page in a copy book. The pencil point often breaks under her fingers' force. She places broken points outside the window on the sill. A satanic figure is somewhere nearby, animated but of straw or clay, not flesh. She finishes her writing, tears the paper from the pad, folds it, places it in an envelope, and slips it through a slot. Is she writing to her husband? "Sweetheart, come." Written by

Stop-motion animated short film in which a puppet, newly released from his strings, explores the sinister room in which he finds himself.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

A display at the strange and wonderful artifacts in a collection of medical curiosities.

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

Ten stop-motion animation works by brilliant animators The Brothers Quay, including six previously unavailable shorts and two unique music videos by “His Name is Alive.”

An overview of the career of experimental animator Len Lye.

An unusual documentary from the Brothers Quay and Keith Griffiths about the history of the Punch and Judy puppet show.

Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.

Documentary about the abstract filmmaker.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their own experiments in the field of visionary filmmaking.

Stop-motion animated story of a puppet teachers lessons to a boy.

Janacek: Intimate Excursions is a short experimental documentary that attempts to find visual references in the correspondence of Leos Janacek, the Czechoslovak composer.

This eccentric short directed by Keith Griffiths, outlines Ruiz’s work, biography and preoccupations and includes a rare interview with the director.