Tomorrow

Pietro is the sensitive son of Domenico, a gruff father. Pietro falls in love with a beautiful girl, Ghisola, who lives with her grandparents.

Garage owner Angelo and big-time film producer Alberto find themselves occupying neighbouring beds in a Rome hospital after suffering heart attacks. Alberto is a gregarious joker - and chain smoker - who has a strong effect on the impressionable Angelo. However, as one of the men's condition deteriorates, the other becomes more deeply involved in his personal life.

Professor Ludovico Bruschi is an elderly Communist whose desire is that of living in an orderly and socially just State. But disorder is just about to break into his life, first of all in the shape of his granddaughter Papere and then in that of Papere's mother Stella, his son's companion. The relationship between Oliviero, Bruschi's son, and Stella has come to an end perhaps because of the extreme youth of the two lovers. Now Professor Bruschi is obliged to come to terms with the gloomy, ignorant, offended Stella whose head is full of false and destructive ideals and who disturbs his way of living out daily life. The professor loses his patience and Stella leaves. He looks for her and finds her in hospital with a broken leg. The two of them begin to grow close and then, without realizing it, they come to love each other immensely. Stella's leg gets better and she goes off to look for new relationships...

Francesca Archibugi directed this Italian drama set in Rome where 14-year-old Siddhartha (Niccolo Senni) is forced to deal with his heroin-addicted mother Silvia (Valeria Golina). He occasionally gets a visit from his filmmaker father Massimo (Sergio Rubini), who left them years earlier. Silvia is involved with lawyer Roberto (Stefano Dionisi), and they have a child, four-year-old Domitilla (Francesca di Giovanni). She lives with her father but sometimes stays with Silvia and Siddhartha. One day Domitilla pricks her finger on a used needle belonging to her mother. Using the Internet to seek advice, Siddhartha is told to have Domitella tested for hepatitis and AIDS. Desperate, he sets forth but is soon stymied and frustrated by a medical bureaucracy. Shown at the 1998 Venice Film Festival.

Giorgio and Tito, father and son. A successful journalist and a lazy teenager apparently impossible to understand. Giorgio's dream is to take Tito to the Nasca Hill in Liguria, but Tito prefers to spend his entire day with his group of friends, eating, talking about nothing and playing video games. Until one day when he suddenly informs his father that he would join him in this trip. After a series of accidents and misunderstandings, at the end, somehow father and son will find the way to communicate … or at least they will try.

A pair of teenage classmates known as "Chicken" and "Curry" for the fact that they are virtually inseparable attempt to cover for the fact that they both failed their high school finals by claiming that "Curry" is in the midst of an identity crisis that can only be solved by returning to his homeland of India with his Jewish best friend. While the ruse works wonderfully on the parents of both students, the impromptu journey of self-discovery takes an unexpected detour when "Curry" locates his sister and becomes captivated by the country he first despised, and "Chicken" falls for an older medic working for Doctors Without Borders after entering a synagogue for the first time in his life. ~ Jason Buchanan,

Mignon is a French teenager from a wealthy family who is forced to move in with her much poorer Italian relatives when her own family falls apart. First, she is like a fish on dry land, but soon she forms an unlikely bond with one of her Italian cousins.

In a respectable suburb made up of row houses, Luca Attorre — a freelance journalist who struggles to get his features published in the papers — is unable to maintain Susi, a ballerina reduced to teaching dance to overweight women, and Lucilla, their quiet and imaginative six-year- old daughter who suffers from severe bronchial asthma. They are helped economically by Pierpaolo, Luca’s seventeen-year-old son from a previous relationship. Pierpaolo lives in an Art Nouveau house with his mother and grandfather, an important trial lawyer of cases linked to politics who rakes in several million euros a year. In the setting of a magnificent and incomprehensible Rome, both a good mother and a bad one, Mary Ann, a deeply Catholic student of art history from Ireland, au pair for the little Lucilla, is caught in the middle.