Tout Va Bien

Jean-Luc Godard addresses two filmic letters to young Israeli soldiers who were sentenced after refusing to intervene in the occupied territories.

TV commercial (commissioned by Swiss tobacco company F.J. Burrus S.A.) for Parisienne cigarettes.

Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.

Jean-Luc Godard's poetic meditation on war, violence and defeat. The film is structured in three parts. The three segments are "Hell", "Purgatory", and "Heaven". The first segment is a montage of war images from documentary and fictional sources. The second concerns two young Jewish women attending a European arts conference in Sarajevo. The final segment concerns the after life.

For Ever Mozart is an episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France. Director Jean-Luc Godard presents stories about this troop to ask how one can make art while slaughters like the one in Bosnia are taking place, and he throws in a strong critique of the European Union. For Ever Mozart is one of Godard's most disjointed and difficult films. Its stories sometimes seem to form a whole and at other times the links among them are unclear. One gets the impression that in each episode Godard attempts to start a film only to come to the conclusion that it is impossible to continue. It features some of the most beautiful shots of tanks in the cinema.

A reworking of extracts from Andre Malraux, Claude Nuridsany and Marie Perennou, and GK Chesterton.

Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.

Jean-Luc Godard, and Anne-Marie Miéville Four Short Films

The official spot of 22nd Jihlava international documentary film festival, directed by Jean-Luc Godard

A politically oriented film in which images suggestive of a mock western are accompanied by an atttack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.

Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist/writer Manny Farber.

The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.

Jean-Pierre Gorin examines the lives and cultural background of Samoan street gangs in Long Beach, California.

Documentary by Jean-Pierre Gorin about twin girls who spontaneously developed their own unique language as children.

Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.

A series of 41 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.