Trapianto, consunzione e morte di Franco Brocani
Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.
Franco Brocani
Writer
Mario Schifano
Director
Also Directed by Mario Schifano
Experimental film based on promotional material of vodka brand Absolut.
Experimental short featuring a photo shoot.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
a short filmed on the set of Jean-Luc Godard's "Weekend"
Anna Carini, Mario Schifano’s partner at the time, is the protagonist of the film. The young woman is observed, followed, questioned in close-up, in both indoor and outdoor settings, by the camera that partially strays into the scene and then briefly makes room for the author himself. —Tate Modern
A 1964 short film by Mario Schifano.
Artists and poets meet in a dreamlike space between walks and performances.
Short about the vietnam war.
A man drifts around Rome's tourism spots.
