Also Directed by Govind Nihalani
Nahar Singh's (Amrish Puri) fore-fathers and he have sworn to protect the family and heirs of powerful underworld don, Jodhabhai and his heirs for generations. Nahar would like his son, Ishaan (Ajay Devgan) to continue this tradition, to which he is willing as he friendly with Jodhabhai's son, Sunny (Rahul Bose). Ishaan's vow begins to falter when he falls in love with Suman Dev (Tabu). Things gets even more complicated when Suman comes forward to testify that she witnessed Sunny's car being driven from the scene of a multiple homicide. Sunny finds this out and asks Ishaan to chose between him and Suman, and Ishaan choses Suman. Things escalate out of control when Nahar is killed; and Ishaan becomes a prime suspect in the multiple-family homicide.
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
The Government of India has chosen to present a literary award to Divakar Barve in recognition of his contribution to Indian Arts and Cinema. Divakar accepts this award, and the community decides to recognize this award-recipient at a special party just for him. Several big-wigs in Bombay city are invited, and they include Mohini, the alcoholic and aging wife of Divakar; Ravi an actor; Bharat an aspiring actor and poet; An aging Ruth who is always accompanied by a much younger boyfriend; Poet and producer, Agashe; Ila Arun the singer; and Achyut Potdar a Bollywood actor. Everyone awaits the arrival of Amrit, an activist. What the invitees do not know that the party is going to be gate-crashed by the host's, Mrs. Damyanti Rane's son and his teen-aged friend; a couple, Naren and Malvika; Then something unexpected happens: Amrit does arrive - but not in the way everybody expected him to arrive.
Based on the novel by Bhisham Sahni, Tamas is an epic drama set against the backdrop of riot-stricken North India on the eve of Partition in 1947. Nathu, an outcast, is hired to kill a pig, whose carcass he’s later appalled to find in front of the mosque. A riot follows and, ridden with guilt, Nathu takes his ailing mother and pregnant wife and leaves town.
The amendment in the law, making it compulsory for one-third of the Gram Panchayat representatives to be women, is not received favourably by the ruling Sarpanch of the village, Thakur Ratan Singh. Although he puts up a front of being in favour of the idea, along with his son Inder Singh, he conspires to field wives of friends, whom he hopes he can control through their husbands and through the caste network. Vidya, wife of Bhanwar Singh who is indebted to the Thakur, is one of the newly elected women Panchayat members. Vidya, who is educated, notices that the political empowerment of women is only on paper and in reality decision-making still continues to be with the manipulative old guard. Vidya decides it is time for a change.
Anirudh Godbole and Naina are a contemporary upwardly mobile middle-class Maharashtrian couple. They stay with their 2 daughters in a comfortable flat in suburban Mumbai. Anirudh has a well-paid job in a corporate firm and Naina is a rising singer. They invite few of their close friends over dinner to celebrate the release of Naina's music album. The evening begins on a very pleasant and relaxed note. Soon they witness the crime being committed in the neighbouring building and the evening turns into a moral hell for all.
Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Drohkaal (Times of Betrayal) deals with India's fight against terrorism. The film examines the mental and psychological trauma that honest police officers go through in their fight against a group of ruthless terrorists.
