Wacky Taxi
A man unsatisfied in his job decides to start a taxi service
John Astin
Alexander Grasshoff
Casts & Crew
Also Directed by John Astin
Mr. Merlin is an American sitcom that ran for one season, from 1981 to 1982, about Merlin the wizard, who is immortal, living in modern-day San Francisco, and disguised as Max Merlin, a mechanic. Mr. Merlin was produced by Larry Rosen and Larry Tucker, working as the Larry Larry Company, in association with Columbia Pictures Television.
Just Our Luck is a short-lived American sitcom which aired on the American Broadcasting Company in the fall of 1983. Created by brothers Lawrence and Charles Gordon, it was considered a modernized version of the classic 1960s sitcom I Dream of Jeannie. The series stars Richard Gilliland as a mild-mannered TV weatherman for KPOX-TV, and T. K. Carter as a hip, fun-loving 3,000-year-old genie who is freed by Gilliland after being imprisoned in his bottle for nearly two centuries. The series was produced by Lorimar Productions, and initially promoted by ABC as one of its new ambitious comedies along with Webster. Just Our Luck was created to compete against The A-Team on NBC but earned low ratings for much of its run. It was poorly received by critics, however, and was the subject of controversy when the NAACP charged the show with promoting negative stereotypes of African-Americans. The NAACP originally campaigned to have the show removed but later settled for a degree of creative control in the show's development. This included changes to Carter's dialogue, the hiring of black staff writers and the addition of Leonard Simon to the cast. The show was cancelled after three months.
A man meets his dream girl. When he can't win her over, he learns to appreciate his reality.
A couple of resourceful, free-wheeling criminal attorneys with an eye for the ladies confront a no-nonsense judge while trying to clear an heiress in the slaying of her husband, although her explanation of a mysterious intruder provides them with a rather weak case.
Also Directed by Alexander Grasshoff
Reporter investigates instances of spontaneous human combustion, and deadly electrical failures at a newly built hospital.
The film stars Robert Hutton and Mary Castle as a married couple, held hostage in a dismal, deserted town by three escaped convicts. The crooks are looking for a cache of stolen loot, and they intend to keep Hutton and Castle alive long enough to locate and dig up the cash for them.
Wealthy big game hunter (Boone), along with his group, gets trapped in pre-historic times where they are stalked by a ferocious dinosaur.
Cutting-edge medical technology and riveting, life-or-death personal dramas combine in this unprecedented, emotionally compelling exploration of The Incredible Human Body.
A teacher plays a mental game with some of his students. Based on a true story.
In this family-friendly sequel to Freaky Friday, teenaged Boris realizes that his television set is somehow receiving broadcasts from the future, so he starts betting piles of cash on horse races and making himself outrageously rich. Boris is on top of the world...until he discovers that something this good doesn't come without a price.
A 1966 documentary of the Dukes family who have 18 children and lived in Washington State. The spectator goes through a whole week with the family, the week before the eldest daughter, Bobbi's wedding.
A 1967 documentary film chronicling the travel experiences of The Young Americans choir. It was given an Academy Award in 1969, though it was revoked because it was released in 1967 and was thus ineligible, the only film in history to have done so.
“Our modern technology has achieved a degree of sophistication beyond our wildest dreams. But this technology has exacted a pretty heavy price. We live in an age of anxiety, a time of stress. And with all our sophistication we are in fact, the victims of our own technological strength. We are the victims of shock … of future shock.” No, this isn’t a quote from a Huffington Post column on the Facebookization of modern communication. Nor is it pulled from an academic treatise on the phenomenologies of post-industrial existence. This statement was made by Orson Welles in the 1972 futurist documentary Future Shock, and, unlike some of the more dated elements of 1970s educational films, Future Shock remains shockingly current in verbalizing the concerns and anxieties that come along with rapid societal and technological change. (Indiana University Libraries Moving Image Archive)
A National Geographic documentary about students in the Outward Bound program. They confront themselves as they train to climb the Santa Rosa Peak in the Peruvian Andes.