We Are Not Alone

The film follows the relationship between a mother and her son. In 1945, the mother played by Sayuri Yoshinaga fled with her two sons from the Russians to Hokkaido. In 1972, her son played by Masato Sakai returns to Japan after finding success in the U.S.

Togashi, an enthusiastic marathon runner and his wife are occupied with their daughter Mayumi's grade school entrance examinations, but he becomes jobless when his company folds. To regain his confidence Togashi decides to join the marathon that is taking place on the very day of his daughter's examination and the all important interview.

Adaptation of the Arimasa Ohsawa novel Shinjuku Shark.

A group of demons in the ancient Japanese capital of Heian is dismembering members of a family of Japanese nobles.

A young woman who is prone to romantic dreams involving her supervisor time-travels from 1986 to 2001 and becomes involved with a private investigator who is working on a divorce case and is having his own marital difficulties.

When a hard-driving copywriter (Hiroyuki Sanada) discovers his comely wife (Keiko Saito) is involved in a scintillating game of strip rock-paper-scissors with some guy clad only in a pair of boxer shorts and Mickey Mouse ears, he is less than happy. When the stranger tries to make a run for it, a fight ensues between the two men, and they accidentally tumble down several flights of a concrete stairwell. One hurried ambulance ride later, the copywriter finds himself in a private teaching hospital equipped with the latest gleaming gizmos. Meanwhile, a young internist (Hiroko Yakushimaru) girds herself for her first emergency room case -- the battered copywriter. After giving a curt bow and a nervous "Good Evening," she accidentally jams a syringe into his bloody wound. Soon the absurdity of their situation, along with their medical misery, binds the two men and their blundering nurse together.

A videotape left by a mysterious woman to a taxi driver. There is a pattern of a secret bondage show recorded there ... A noir-style story about the membership-based SM show and the secrets of the organization behind it. A unique entertainment work with a romantic effect even in a punchy development.

Daigo, a cellist, is laid off from his orchestra and moves with his wife back to his small hometown where the living is cheaper. Thinking he’s applying for a job at a travel agency he finds he’s being interviewed for work with departures of a more permanent nature – as an undertaker’s assistant.