We Have Come for Your Daughters

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

Documentary about Polish-American pianist, Arthur Rubinstein.

This documentary is a general, unquestioning travelog of the United States through the eyes of French director and co-cameraman Francois Reichenbach, a director often fascinated with life in the home of the French-made Statue of Liberty. From the attractions of the West Coast including Disneyland to the skyscrapers of New York, Reichenbach is curious about everything. A prison rodeo (later to come under closer and more critical scrutiny in the '90s), culturally and ethnically mixed neighborhoods, religions outside the mainstream, ghost towns, and the unique world of the American teen are all given a peek. These views of the U.S. are informative though absent of critical analysis.

Carrying his son on his back, a man travels from place to place looking for a doctor to treat the sick boy. As they journey, the indio father tells the boy stories to keep him distracted. These stories reveal the life of native peoples in Mexico, both in the countryside and in cities, and they shed light on characteristic beliefs and rituals.

Travel journal under the form of a portrait series, silent intimate images filmed by François Reichenbach in 1954.

Excerpts and fragments from different interviews with Orson Welles making a statement to journalists in fluent French about his career and his conception of life.

Foundling boy runs away from orphanage to follow the circus and undergo indoctrination into Clown Cult.

Director François Reichenbach assembled 90 minutes of footage on Japanese rituals and customs, martial arts, evidence of Western commercialism, and the nearly blank faces of urban dwellers who seem to wrap themselves in anonymity as a protection against the crowded masses. Without the benefit of interviews or analyses of what is passing before one's eyes on the screen, the parade of Japanese scenes seems to take place at some distance -- making the viewer a definite outsider with no friendly interpreter to ground his or her perspective.

Documentary about a small village near Le Mans, commented by the village school-teacher.

This short film is a metaphore for the destruction of the indian culture by the 'white man'.