We're from Jazz
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
Casts & Crew
Igor Sklyar
Aleksandr Pankratov-Chyornyy
Nikolai Averyushkin
Pyotr Shcherbakov
Yelena Tsyplakova
Evgeniy Evstigneev
Pyotr Merkuryev
Borislav Brondukov
Leonid Kuravlyov
Yuri Vasilyev
Anatoli Kroll
Also Directed by Karen Shakhnazarov
An engineer in charge of the production line of a factory in Moscow is sent to a small town to try to specify the distributor the new dimensions of a mechanic part they need. But in this town everybody seems to be crazy (a secretary who works naked, a group of people take the engineer as a rock & roll player, etc) and, in addition, this man is witness of a suicide, so he is trapped inside the town.
Based on the play of the same name by Leonid Zorin. Gordei Kabachkov, a professional con man, decided to pursue a career in science and was very successful. Having settled in a certain Institute of Ancient Culture, he easily wraps his finger around the numerous "kind men" - members of the academic council - and defends his thesis. Using his "talents" and the kindness of the staff of the Institute of Ancient Culture, Kabachkov makes a rapid take-off on the career ladder...
In pre-Soviet Russia, Boris Savinkov leads a terrorist faction of Socialist-Revolutionary Party members responsible for the deaths of governors and ministers.
There is no single truth in love. Each treads their own path. Which should take precedence – passion or duty? How do we choose? And who gets to judge? These are the eternal questions, remorselessly thrust upon us by life. Anna Karenina made her choice, leaving her son Sergei to grow up struggling to understand why his mother took such a tragic and terrible path, and Count Vronsky haunted by the memory of the woman for whose death he still blames himself 30 years later. In 1904, in the aftermath of one of the battles of the Russo-Japanese war, Sergei Karenin and Alexei Vronsky find themselves thrown together in a remote Manchurian village, where fate offers them a chance to return to the events long past and, finally, to find the answers both have long been seeking.
A new doctor from Moscow arrives at a provincial mental institution. His interest is the peculiarities of the psyche of a patient who believes that he is Yakov Yurovsky, the man who assassinated the last Russian tsar. In the course of their conversations it transpires that the patient is a kind of philosopher, not without a gift for suggestion. In a while the doctor himself falls under his patient’s influence: he tends to relive that fatal night of June 16-17, 1918 when, without any investigation or trial, Tsar Nicholas II, who had recently abdicated, was murdered, together with his wife, daughters and incurably ill heir. Soon the doctor realizes that the tragedy of the last Russian tsar is in part his own tragedy, too...
In late-19th-century Russian high society, St. Petersburg aristocrat Anna Karenina enters into a life-changing affair with the dashing Count Alexei Vronsky. An eight part adaptation of Leo Tolstoy's "Anna Karenina" from Vronsky's point of view.
Russian countess in 1893 has strange dreams about herself living a life as a dishwasher in 1993' Moscow after dissolution of the USSR.
This story take place in Moscow during the 1970s and unfolds around the love triangle between two young men and a girl who study at the same university. They argue, make up, and face their first disappointments and victories. While busy with personal lives and loves, they miss foreseeing that the country in which they were born and live will soon disappear from the map.
Great Patriotic War, 1945. After barely surviving a battle with a mysterious, ghostly-white German Tiger tank, Red Army Sergeant Ivan Naydenov becomes obsessed with its destruction.
Simultaneously nihilistic and heartening, Ward No. 6 is based on a story by Chekov, in which a psychiatric doctor becomes a patient in his own asylum. Updated to contemporary Russia, the film is a cocktail of anxieties and riddles, showcasing how easy it is to become what we fear most.