When the Century Took Shape (War and Revolution)
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
Chris Marker
Casts & Crew
Also Directed by Chris Marker
Through photos made by the French photographer Denise Bellon, a personnal history of France.
Chris Marker's cat and rat.
Paris 2002. Yellow cats appear on the walls. Chris Marker is looking for these mysterious cats and captures with his camera the political and international events of these last two years (war in Iraq...).
Time travel, still images, a past, present and future and the aftermath of World War III. The tale of a man, a slave, sent back and forth, in and out of time, to find a solution to the world’s fate. To replenish its decreasing stocks of food, medicine and energies, and in doing so, resulting in a perpetual memory of a lone female, life, death and past events that are recreated on an airport’s viewing pier.
In seven different parts, Godard, Klein, Lelouch, Marker, Resnais and Varda show their sympathy for the North-Vietnamees army during the Vietnam-war.
A short film that shows Boundless, Surreal objects that are juxtaposed with our present World. Cars, Motorways, noise of our modern society; A giant city in the distance - all that shrouds this lonely and forgotten island of Dreams. Filmed at the Emeryville Mudflats near San Francisco.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Berlin 1990 travels the streets and the political landscape of the recently re-unified Berlin. In the tumultuous atmosphere of 1990, we watch Berliners walk through check points manned by soldiers, past street vendors selling sausages and "actual" pieces of the Berlin Wall, and watch as they watch the election results come in for another "new" Germany.
An unexpected response to Pinochet's 1973 coup d'etat in Chile. A Super-8 film apparently found in an embassy -as it's written in the original title-, where political activists had taken refuge after a military coup d'état. But the events -and their setting- are not what they first appear to be.
A film of Chris Marker and the broadcasting(audiovisual) confederate Group - CFDT(FRENCH TRADE UNION)... For the centenarian of the law of 1884, which we agree to take for point of departure of the labor union, CFDT(FRENCH TRADE UNION) confided to Chris Marker the realisation of a film dedicated to hundred years of syndicalism in France. Chris Marker plans the question in the future and imagines a television news of 2084 for the anniversary of the second centenarian and three possible scenarios: the grey hypothesis, that of the "crisis", " a fearful society which hums and gives itself false safeties in the hope of a balance always questioned "; the black hypothesis, " a world where the technique took the place of the ideologies "; the blue hypothesis, finally, that of the dream and the imagination.