White Mexico
On a long-distance bus to Aomori, Sato, on the run after avenging his dead daughter, meets Pastel, a girl travelling to claim her grandfather's biplane, and the two exchange idle conversation. When a detective suddenly boards the bus, Pastel panics and pulls out Sato's gun.
Haruo Inoue
Director
Haruo Inoue
Writer
Casts & Crew
Also Directed by Haruo Inoue
A 3rd year transfer student from a Tokyo middle school, was emotionally hurt in the soft tennis club she belonged to at her previous school. Unaware of this, Tamako pesters Aki to teach her soft tennis. Together, they go about creating a court on the campus of a closed-down school.
During the 1980 Gwangju uprising in South Korea, a Korean man and a second-generation Korean-Japanese woman meet during the student activist movement. Under the chaos of the time the man and woman fall in love, but the woman disappears. 30 years later, the woman keeps her past a secret and worries that her daughter Mie Matsuki (Rina Uchiyama) may pursue her Korean roots. One day, Mie who already has a fine boyfriend, introduces her mother to a Korean man named Yoo Jung-Bae (Kim Eung-Soo). Yoo Jung-Bae is the man that her mother fell in love with 30 years ago during the Gwangju uprising. During his college days, Yoo Jung-Bae was the leader of the student activist movement. Now he is transferred to an investment company in Tokyo. Mie works at the same investment company. Feeling a bond with Mie, Yoo Jung-Bae walks the streets of Tokyo with Mie every weekend and begins to learn about each other.
When a pastry chef is undergoing a slump and cannot consistently make the store's trademark cherry pie anymore, she begins practicing after hours. Nothing works however. One night she receives a call at the store from a cherry orchard owner who used to be the shop's supplier. The supplier has something he wants to return.
Gozo Yoshimasu, a pioneer of Japanese contemporary poetry, pursued the vision of his ally, the late Jonas Mekas in Manhattan and Brooklyn. The time is the end of January 2020, just before the coronavirus strikes NYC, and the trip is just in time. This film depicts the dramatic birth of a poem that could be called a requiem on the first anniversary of the death of Mekas, who was considered a giant of experimental cinema
An otaku manicurist, an ordinary office lady, a doctor with no love life, and a 30-something still obsessed with an indie idol group all meet through a matchmaking site.
Second film in the cinemusica series.
