Also Directed by David Zellner
The tragic 1978 story of the The Jibcutters, the last great American alt-bluegrass band.
A closeted homosexual phones a crisis line from inside his closet.
Strangers in a strange land, Bulbovia’s dimmest explorers attempt to dutifully colonize a new world but soon find their buttoned-up shirts and rational thoughts melting away into beetle-eating, tree-molesting, wife-swapping chaos.
A black comedy about an altruistic yet deranged preacher who heads deep into the Australian Outback in hopes of saving the soul of a man who has abandoned his faith.
A despicable young man, at the end of his life, espouses his comically bleak and bitter world view to his only friend, his dog Foxy.
In late 2015, "Bright Ideas" magazine and its publisher, the innovative crowdfunding and distribution platform Seed & Spark, commissioned directing duo the Zellner Bros. (KUMIKO, THE TREASURE HUNTER) to make a short piece in response to a Criterion Collection release that they considered inspiring. The brothers chose Louis Malle's wild, hallucinogenic BLACK MOON (1975), itself a tripped-out reimagining of "Alice in Wonderland." Shot in the woods near their Austin homes, BLACK SOMETHING captures Malle's blending of idyllic pastoral imagery with nightmarish fantasy, distilling it into a skin-crawlingly unsettling three-minute short.
In a world where moral corruption and prosperity go hand-in-hand, James is out of his element. He's unpopular, whiny and cranky, not to mention a second-rate street mime fond of belittling his audience. James longs for a life or reckless abandon, much like that of his unscrupulous roommate Frank Feldspar - a thief, murderer, and a professional poet who is loved by all. James enthusiastically embraces the lifestyle of a hardened criminal, and he teams up with Frank for a daring armed robbery. *Notes from IMDB*
While on their way to a mariachi recital, a devastating car crash forces a mother and her two sons to confront the truth about their past.
Fact and fiction collide on the high seas.
On the outskirts of Austin, 10-year-old Annie tears around on her BMX bike, hurls dough at cars, and smashes things up with her baseball bat. Her father, a goat-farmer-cum-demolition-derby driver, does little parenting. Annie has no friends her age, so her daily routine is filled with solitary mischief. Playing in the woods one day, she hears a woman’s plaintive call for help from an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman’s plight.
