Wir sehn uns wieder

An attempt to mimic the artistic success of Urlaub auf Ehrenwort and zwei in einer großen Stadt though it's neither romantically nor in a patriotic way as involving. Three soldiers on very short home leave visit Berlin. One isn't from there and runs around with his guide book being perplexed by all the things that are different now. Another visits his wife and his baby. And the third enters a romance due to a mistaken identity which at the end provides a tiny bit of drama in a film which otherwise bends over to show how happy the home front is and supportive of its soldiers. Some nice location shooting, but neither story nor stars amount to much.

A big explosion in a pulp mill causes a lot of damage. The police suspect a crime and put up a 5,000 Mark reward for information leading to the arrest of the perpetrator. Egged on by his wife Ursula, the insurance agent Rolf Kettner sees his chance to prove his detective capabilities and to track down the culprit.

On November 11, 1918, the last day of the First World War , Lieutenant Colonel Klaus Olden desperately tried to hold a lost post with his unit. The rescue appears in the form of pilot Jochen Wendler, who shows up with his plane and drops ammunition. When Jochen's machine is shot down immediately, Klaus manages to pull him out of the wreck at the last second. Both are injured and taken to the hospital , where they are cared for by the attractive nurse Barbara, a childhood friend of Jochen. The two men form a blood brotherhood and drive together with Barbara to East Prussia , where they want to visit relatives of Jochen on their estate . But the relatives' yard was destroyed in the war. The post-war period turns out to be an economic disaster.

A comedy directed by Philipp Lothar Mayring.

Das Gestohlene Gesicht (The Stolen Face) is an old-fashioned detective yarn given credence by its talented cast. A set of peculiar circumstances force the heroine of the story to assume the identity of another woman. When a murder occurs, the wrong person is held responsible, and it is up to a methodical detective to separate fact from falsehood. Edith Edwards and Fridel Haerlin essay the female leads, doing what they can (and more) with the dialogue they're given.