Also Directed by Volker Koepp
The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?
The "Curonian Spit" is a 98 kilometre long sand dune peninsula that separates the Curonian Lagoon from the Baltic Sea. The width of the spit between the lagoon′s beach and the beach of the Baltic Sea often amounts to no more than several hundred metres. In this film, documentary filmmaker Volker Koepp portrays this unique region that in its history was again and again subjected to shifting borders and the resulting social upheavals due to its geographical location between Germany and Russia.
In his documentary film, Volker Koepp portrays the picturesque Polish region of Pomerania. But although the region appears to be idyllic, its inhabitants are struggling with big problems. The villages and cities of Pomerania that traditionally live from agriculture are hit by unemployment rates of up to 75% after the meltdown of the state farms. While most of the young people leave the region, some of them take their chances and start fresh – for instance, a young couple that tries to rebuild an agricultural farm with the help of EU funding. Furthermore, older inhabitants, including a spry 90-year old retiree from the Uckermark region who grew up in Pomerania, tell stories about the region′s eventful past.
Seventh and last Wittstock film.
Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.
Documentary filmmaker Volker Koepp visits a brick factory in Zehdenick, East Germany.
Volker Koepp's second Wittstock film.
Documentary about the German poet Erich Weinert.
In December 1979, the Soviet Union invaded Afghanistan. Four years later—the Islamic calendar's year 1362—, director Volker Koepp visited Kabul and neighboring provinces. Koepp met a cross-section of people, such as soldiers, intellectuals, kids, and nomads, and with sensitive intensity told stories of their daily lives in the turmoil of an “undeclared war.” This travelogue, which was undertaken with the GDR’s consent, took a political risk because it expresses Koepp’s doubt that conflicts can be solved through military invention.
