Zwischen Pankow und Zehlendorf

Lydia Kowalenko is fired from the pharmaceutical company where she has worked for many years because she refused to help cover up the use of a dangerous chemical. Her daughter Katja, however, has no scruples and risks an operation which is more beneficial to her own medical research than to the convalescence of a young patient. Then Katja's only son dies after a car accident. Was he too the victim of a career-minded doctor?

Feature film.

The communist and resistance fighter Lorenz Reger, who after the war put all his efforts in the creation of a socialist German state, learns that he has only a short time left to live. Nevertheless, he wants to take on one last difficult new task: He wants to restructure a large firm which has run deep into the red numbers. In a short amount of time, Reger manages to establish mutual trust between the employees and the new management. Furthermore, he motivates the employees with his personal interest for their concerns.

Dr. Gisa Tonius, a physicist in her thirties who has a nearly adult stepdaughter, cherishes the desire to have her own child. Suddenly, a big interdisciplinary research project threatens to significantly change Gisa′s life. Uncertain whether to look for professional or private fulfillment she asks her family and friends for their opinions. They all have different views on the point at issue. While her husband is afraid of losing her to her profession, her professor thinks that because of her talent she has an obligation towards science. In the end, Gisa reaches a decision: She wants to have a baby as well as take on the research project.

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

This comedic musical tells the story of Gabi, a young hairdresser from the Baltic coast who desperately wants to be a jockey. One day, she packs her bags, drives to Hoppegarten, and is soundly rejected by the head coach. Gabi doesn't want to give up, and in order to at least have a roof over her head, she rushes into a marriage with the seemingly nice Freddie. However, this marriage soon proves to be her second rejection, as Freddie openly dislikes the fact that she wants to be a jockey.

Suse works as a truck driver on a major construction site. The young woman has a hard life behind her. She was foundling, was raised by farmers. Manne, the father of her child, wanted to escape from the GDR and is in prison. After he is released, Manne wants to live again with Suse and their child together. But she rejects him as well as another worshiper. Suse is more interested in the Soviet engineer Boris, but apparently not for her, since he can never remember her at their chance encounters. But a much bigger problem - and a difficult one - is Suse, when she is offered to go to the Soviet Union for six months.

Helmut Kamp, the construction brigade leader, a man no longer young, life immediately confronted several difficult and woeful problems. The birth of a son, the tragic death of his wife, the relationship of his daughter Ingrid with Dr. Beißert coincided with the need to move to an uninhabited area where a nuclear power plant will be built. Kamp, Ingrid and the members of the friendly brigade decide to act as the duty and the feeling of partnership prompts them, and gradually they all become participants in the new construction...