Aaron Friesz
Tyrol, 1932: The world economic crisis is at its peak, radical political movements emerge. In a small Austrian community, the engine driver Michael Unterguggenberger accepts the mayor's office against better knowledge. But how is he supposed to save Wörgl? The power of despair and the support of his wife Rosa form the breeding ground for a daring experiment: Unterguggenberger wants to print his own money without further ado - so-called work confirmation notes. For this he not only has to convince the community of his city, but above all to rebel against the mighty banking.
Christmas 1877. Elisabeth, Empress of Austria, turns 40. It is the average life expectancy of a woman in the late 19th century. So Elisabeth is now officially an old woman. As empress, she has exclusively representative duties. She lives locked in the courtly ritual, her duties and the expectations that are placed on her. At forty, she can soon no longer be a symbol of beauty. But what is left to her if she is no longer worshiped, but merely respected? What is their raison d'etre?
Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after years of captivity. But the Vienna he comes home to is nothing like the place he once knew. The new Austrian Republic thrives on social and artistic freedom, but anti-democratic movements and unemployment loom overhead. A stranger in his hometown, his life takes a turn for the worse when one of his former comrades is murdered. Suddenly the mysterious killings of veterans are mounting. Personally connected to the victims, Perg decides to bring the killer to justice. He finds an ally in the cool-headed forensic doctor Theresa Körner, with whom he has a deeper, shared history. Their investigation leads them into the darkest corners of the city, as they confront a brutal and systematic killer and intrigues from within the police force. But when the killer’s net closes around Perg himself, he faces the moral dilemma of his life.
