Adamo Dionisi
A group of wild, physically disabled gangsters has a plan to rob a bank, but things go terribly wrong when each of them reveals they all had their own personal agenda.
Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Guido and Antonia are a young couple with opposing characters and working schedules: he works a night job as a doorman in a hotel, and she works as an employee for a rental car service. This is the story of what happens to Guido and Antonia when they decide to have a child.
