Adele Buffington
A naïve, recently-orphaned young man discovers he's being used as a pawn in a crooked gambler's plan to rig a July 4 horserace. Western.
Not to be confused with the 1929 film The Overland Telegraph, this Western from director Lesley Selander stars Tim Holt as a cowboy appropriately named Tim Holt. In order to hinder the construction of a new telegraph line for his own financial gain, scheming shopkeeper Paul Manning (George Nader) enlists the assistance of a gang of outlaws led by Brad Roberts (Hugh Beaumont in one of his many pre-Leave it to Beaver roles). Unfortunately for the bad guys, Holt and his cohort Chito Rafferty (Richard Martin) sense that there's foul play afoot and embark on an investigation.
Prospector Jeff Malloy rescues Doris Devlin, owner of a trading post, from an ambush planned by her uncle, Kilburn, who is trying to scare her out of the territory so that he can continue his counterfeiting operations.
The Johnny Mack Brown West of Wyoming concerns the efforts by cattle baron Simon (Stanley Andrews) to prevent the opening up of the rang to homesteaders. Government agent Brown comes calling when Simon begins resorting to cold-blooded murder. The leading lady is Gail Davis, a few years shy of her Annie Oakley TV stardom. Surprisingly, West of Wyoming contains none of the comedy relief that had characterized earlier Johnny Mack Brown oaters.
To get the herd on Six Gun Mesa, Carson has the owner and hands killed. But one hand, Dave Emmett was in town instead of with the cattle. So Carter kills a man and frames Dave for the murder. Johnny Mack Brown arrives just in time to stop the lynching and sets out to find the real killer. Getting the Doctor who falsified the murder evidence drunk gets him the information he wants and this leads to the showdown with Carson.
Wilson and his saddle pal Andy Clyde come to the rescue of a group of ranchers who are being victimized by villain Ace Larabee (Douglas Kennedy). Ace has inside information that the railroad is coming through the territory, and he intends to grab up all the land and sell it to the train execs for a tidy profit.
Monogram's Bringing Up Father series, based on the popular comic strip by George McManus, hit a high point of sorts with 1950's Jiggs and Maggie Out West. Joe Yule Sr. (Mickey Rooney's father) and Rene Riano are perfectly cast as nouveau riche Jiggs and Maggie, who head thataway when Maggie inherits a goldmine. As usual, Maggie spends her time trying to climb the frontier social ladder, while down-to-earth Jiggs is more interested in finding a plate of corned beef and cabbage.
Johnny and Alibi try to straighten out a hostile young boy whose older brother was a notorious stagecoach bandit. When a gang of thieves try to strong-arm the kid into revealing the whereabouts of the stolen loot, Johnny and Alibi come to the rescue. There's a cursory romantic subplot involving heroine Mary and Barstow.
U.S. Marshal Whip Wilson (Whip Wilson) decides to take a vacation and visit his old friend Winks Grayson (Andy Clyde), the ex-sheriff. Upon his arrival Whip learns of Winks' suspicions regarding newly-elected Sheriff Tanner (William Ruhl as William H. Ruhl), and the story of a frame-up of Paul Davis (Ted Adams) and his son Bud (Riley Hill), now being released from prison. Following a holdup and a killing, a band of outlaws hide at the Davis ranch, implicating them again. Paul is hot and Bud goes to jail. Whip and Winks work to clear Bud and expose the real leader of the outlaw gang.
Monogram's Whip Wilson western series occasionally produced a better-than-average entry. In Range Land, Wilson and saddle pal Andy Clyde try to get the goods on a gang of stagecoach bandits.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Riders of the Dusk is another of Monogram's formula Whip Wilson westerns. Since the studio couldn't build an entire film around Wilson's bullwhip prowess, a plot was called for. This time around, it's the one about a U.S. marshal who searches high and low for a mysterious masked desperado. The mystery angle is minimal, since seasoned movie fans will be able to determine the mystery person's identity within 15 minutes. As always, Andy Clyde is a tower of comic strength as Whip Wilson's grizzled old sidekick.
When Ranger Raymond is killed during a stage holdup, Wells Fargo Agent Whip Wilson assumes his identity.
Brown's principal antagonist this time is the town boss, an outlaw who has killed the community's leading citizen. The dead man's grown children want to investigate the killing, but the outlaw puts a stop to this by hiring a dance-hall dame to pose as the kids' long-lost mother. Johnny isn't fooled by this subterfuge nor is his sidekick.
The Cisco Kid and Pancho set off to find the missing owner of a devoted little dog in this western adventure. From the vanished man's sister, the heroes learn that her brother disappeared soon after striking a major gold vein in his mine. In the end Cisco accosts the villain, saves the kidnapped miner and reunites him with his dog.
Johnny Mack Brown stars in this above-average B-Western from Monogram, penned under the pseudonym of Jess Bowers by veteran genre specialist Adele Buffington. Mack Brown plays Johnny Murdoch, a drifter arriving in Gold Flats in search of his prospector father. From old-timer Dusty Hanover (Raymond Hatton), Johnny learns that Old Man Murdoch was murdered for his claim by Rex Hillman (Holly Bane), a hireling of Carter Morgan (Bill Kennedy).
Monogram added several songs and a barn dance to this otherwise standard Johnny Mack Brown hay burner, in which the veteran cowboy star comes to the aid of a beleaguered female rancher. Just "drifting along," Steve Garner (Mack Brown) obtains the job of foreman on a spread belonging to pretty Pat McBride (Lynne Carver). Unbeknownst to Pat, local banker Jack Dailey (Douglas Fowley) not only holds the mortgage on the ranch but is also the man responsible for the death of Pat's father. Read more at http://www.allmovie.com/movie/drifting-along-v90041#OtPRR6jLd1ubhlQv.99
Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.
In this western, a Native American boy and his horse Wild Beauty make friends with a gentle doctor who helps the boy save his beloved steed from the cruel industrialist who has been slaughtering horses and using their hides for making shoes. Read more at http://www.allmovie.com/movie/wild-beauty-v117011#MPOP1dAiWrjP7tqA.99
Having briefly abandoned his standard "Nevada Jack McKenzie" characterization in Flame of the West, cowboy star Johnny Mack Brown was back as Nevada Jack in Monogram's The Lost Trail. Vowing to bring in a gang of stagecoach outlaws, Nevada redoubles his efforts when he learns that the owner of the stagecoach line is pretty Jane Burns (Jennifer Holt).
Set on the Mexican border in 1850, Bad Men of the Border was the first of seven Universal Westerns starring handsome Kirby Grant, a former singer from Montana who had earlier acted under the name Robert Stanton. The series, Universal's last attempt at competing with Republic Pictures' many streamlined B-Westerns, also featured the bucolic Fuzzy Knight as Grant's sidekick. Grant and Knight are undercover U.S. marshals tracking down a gang of counterfeiters. To their surprise, they are soon assisted by a beautiful Mexican dancehall performer, Dolores Mendoza (Armida), who proves to be an undercover agent as well, in her case for the Mexican rurales headed by Captain Garcia (Francis McDonald).
U.S. Marshals Nevada Jack McKenzie and Sandy Hopkins are working undercover to capture a gang stealing horses from the Navajos, and to capture the killer of a Ranger. Nevada poses as an outlaw to get in with the gang and find the leader, while Sandy pretends to be a drunken old horse thief that has knowledge of where the Navajos have hidden their ponies.
Johnny Mack Brown is back as Nevada Jack McKenzie in Frontier Feud. Once again, Nevada and his grizzled sidekick Sandy (Raymond Hatton) are US marshals posing as drifters. Rancher Joe (Dennis Moore) is accused of a series of murders, but Nevada and Sandy manage to prove that another man is the guilty party.
Burly Johnny Mack Brown once again plays undercover U.S. Marshal Nevada McKenzie in this overly complicated series oater from low-budget Monogram. This time, McKenzie, who goes under the alias of Roy Ferris, is waylaid by would-be stage robber Cy Manning (John Merton) en route to the Bar X Ranch.
Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.
Johnny Mack Brown and Raymond Hatton return to the screen as saddle pals Nevada and Sandy in Monogram's Pals of the Border. In this one, our heroes are US marshals, hot on the trail of cattle rustlers.
The first of a long-running series of Monogram-produced westerns starring Johnny Mack Brown and Raymond Hatton that replaced the Rough Riders series following the death of Buck Jones in the Boston night club fire. Though the next three years featured Brown (as Nevada Jack McKenzie) and Hatton (in his Sandy Hopkins role from the Rough Riders series) as undercover marshals in some form or another, this initial entry had Brown as a lone rider seeking vengeance and he and Hatton's characters were unknown to each other through most of the film. Hopkins offer McKenzie a marshal's job at the end of the film, which the Brown character declined and rode off alone on his quest. This quest didn't take long as by the next film in the series Nevada Jack McKenzie was a full-fledged U. S. Marshal.
U.S. Marshal Johnny Mack Brown once again goes undercover in this Nevada Mckenzie series entry from Great Westerns Prod./Monogram. Masquerading as a parson and a drifter, Sandy Hopkins (Raymond Hatton) and Nevada Jack McKenzie (Mack Brown) come to the aid of the beleaguered residents of Goldville, a small ranching community being terrorized by greedy saloon keeper Ace Benton (Kenneth MacDonald) and his gang of cutthroats. Unbeknownst to the citizenry, the railroad is planning to build tracks through town and Benton is attempting to secure the land by scaring off the settlers.
Tom Evans (Jon Dawson), nephew of U.S. Marshal Sandy Hopkins (Raymond Hatton), has just trailed his cattle to Yucca City, where he intends to sell to Ben Crowley (Harry Woods), owner of practically everything in town.Tom loses his money in a crooked game ran by Crowley. "Nevada Jack" McKenzie (Johnny Mack Brown), a U.S. Marshal working undercover, watches the game and secures one of the "fixed" decks of cards. Later, Tom discovers Crowley's men rustling his cattle and is shot. Nevada finds him severely wounded and hides him with Jeff Lewis (Sam Flint) and his daughter Mary (Ellen Hall). Sandy, posing as a dentist, arrives in town after a wire from Nevada. The latter confronts Crowley with the crooked deck and also with the fact that Tom is still alive, and demands a partnership from Crowley. When Crowley learns that Lewis is hiding Tom, he decides to have both Tom and Nevada killed.
Brown fights a swindler and his pal, Hatton, finds a way to help a robbery victim buy back his property.
Ma Turner of Red Bluff sends for U.S.Marshal Buck Roberts to investigate a series of wide-spread rustling in the area. Town banker Miller, saloon-owner Duke Mason and the crooked sheriff are in cahoots with rancher John Holt, but they double-cross and kill him. His son Steve witnesses the murder and kills the sheriff. Buck arrives and arrests Steve. Marshal Tim McCall, posing as an outlaw, gains the confidence of the gang and engineers the escape, with Buck's knowledge, of Steve from the jail. Sandy Hopkins, the third Marshal of the trio, poses as a peddler and learns that the gang intends to do away with Buck and rides to the Turner ranch to warn him. Red, a Turner ranch hand but also a member of the gang, overhears Buck telling Ma that Tim is really a U.S. Marshal, and he has Miller and Mason informed. Written by Les Adams
Scully has forced Joe Collins who works on the Garcia ranch to give him information so his men can steal the family jewels. But the Rough Riders are on the job. Buck poses as a wanted outlaw to get into the gang, Tim as a cattle buyer, and Sandy is collecting information as the saloon janitor. As usual they pretend not to know each other. Written by Maurice Van Auken
When two of their Marshal friends are killed, the Rough Riders are sent to investigate. They have to find the killers in a ghost town where the houses and an old mine are interconnected by secret passages and tunnels.
The Rough Riders arrive to fight Rand, Ludlow and their gang. Buck poses as a preacher, Tim as a preacher, and Sandy as an undertaker. Buck not only wants the outlaws, but also their unknown boss.
"The Rough Riders", has U. S. Marshals Buck Roberts (Buck Jones) and Tim McCall (Tim McCoy) coming to a Texas town to visit their friend, U. S. Marshal Sandy Hopkins (Raymond Hatton), only to learn that he has disappeared, and is suspected of the murder of John Dodge (Jack Daley), owner of practically the whole town, except the hotel Sandy owns and runs when he isn't on an assignment as a Marshal. The murder has been committed by the henchmen of Bart Logan (Harry Woods), who intends to take over the dead man's property and whose men are holding Sandy prisoner to make it appear that he fled after arguing with and killing Dodge. Just before the murder, Logan sent a letter to Dodge with the news that the latter's long-missing wife is returning, and in a short while, Stella (Lois Austin), a Logan accomplice, arrives posing as the missing Ann Dodge, thus establishing her right to the Dodge property. Sandy, allowed to escape, returns ... Written by Les Adams
Buck Roberts is leading a wagon train of railroad supplies and Jim Corkle and his henchman Loder are out to stop them by using white men dressed as Indians for the attacks.
Trapped in a burning cabin by ex-cons Fulton and Howard, Roberts has his horse Silver drag him to safety. He then joins McCall and Hopkins as they go after Fulton, Howard, and their boss Cramer. Written by Maurice Van Auken
The Rough Riders are after a gang of rustlers. Marshal Roberts is posing as a wanted outlaw, McCall is the Marshal supposedly after him, and Sandy is on hand as a cook. Roberts hopes his joining the gang will help bring them in.
The Rough Riders are called in to help save Master's stage line. Taggart has his gang robbing the stages and shooting the drivers. When Buck drives the next stage, Taggart's men rob it and then make it look like Roberts is part of the gang. Written by Maurice Van Auken
In this comedy, a wealthy sheik kidnaps and falls for a snobby socialite.
A wealthy woman's wild lifestyle finally drives her husband to take their two children, move out of the house and file for divorce. Positive she'll lose her children unless she shows the judge that she's changed her wild ways, she takes in two poor street kids, a brother and sister.
After winning the heavyweight championship, boxer Duke Foster (Allan Lane) quits the ring to marry socialite Susan Corbin (Heather Angel). When his businessman father-in-law Arnold (Frederick Burton) loses his fortune, Duke returns to the ring to raise money for him. Susan is furious that Duke is breaking his promise never to box again, and the stakes get even higher when a crooked promoter orders him to take a dive ... or else.
A severely traumatized World War I veteran, believing that he's living on borrowed time, comes upon a peaceful little village and meets an old man called Bee Master and his protégé, Little Scout, who try to convince him that he has more to live for than he thinks he does.
The son and daughter of feuding ranchers defy their fathers in the name of love.
A cook in a railroad construction camp inherits $500,000. She pretends to be English royalty and barges into the New York social scene.
Reporter Dan Collins tries to expose a crooked gambling ring, but is waylaid by Geraldine Sloane, a feisty young heiress who feels Collins has insulted her. To get revenge , she disguises herself and gets a job at Collins' paper, where she manages to throw his crusade against the gamblers into disarray.
A valuable gem from India is stolen in an old dark mansion and it is up to Scotland Yard inspector Charles Irwin to find out who did it among all the suspects who were in the house.
Four "Picture Brides", from New Orleans, arrive in the Brazilian jungle on a riverboat, brought there to marry workers at Lottagrasso, a remote mining site of the Standard Diamond Mines.Also on the boat with the four "mail-order" brides (Americans Mame Smith, Flo Lane, and Gwen from England and Lena from Europe) is Mary Lee, a frightened and innocent girl, who has come to see the mine's brutal supervisor, Von Luden , about a job.
Tropical "heat" drives a man into the arms of a disreputable tramp, making things tough for the woman who really loves him.
A wealthy recluse dies in her New York mansion, leaving an estate worth $50 million. Shortly after, various people turn up claiming to be the rightful heir to her fortune.
The wealthy owner of an iron foundry dies, and his greedy heirs are outraged when they find out that he left his entire estate not to them but to the foreman of his foundry.
John Mason returns to the Sally Ann mine to claim his half share. Janet Cater also returns although her father lost his half share to Joe Ryan. Ryan and his gang are also there to get the gold. A mysterious Phantom is also present. Mason's plan to expose Ryan as an outlaw and to force him to turn his share to Janet works. But when distracted by the Phantom, John is made a prisoner by the gang.
Acting on a tip from former stage actress Fern Madden, who is now working as a movie extra, Jimmy Burke, a Hollywood reporter, publishes an article revealing an independent film producer to have mob connections. As a result of the story, Jimmy becomes city editor.
A young fighter, Bill Hickey, achieves success through the help and support of his friends and, once he does, he gets a big case of 'swellhead.' And then he loses his friends, loses his girl-friend, loses his confidence and is all set-up to lose his title.
Tammany Burke, young owner of a giant roller coaster, is fighting heavy odds against a syndicate led by financial baron Hughey Cooper. Assisted by his sweetheart, Joan, and her father, Jingles Wellman, formerly a clown, Burke prepares for a sabotage of his machine by syndicate hirelings. In the midst of a great battle the riot squad arrives to arrest the troublemakers, and Burke and his sweetheart are left in happy possession of their roller coaster.
A young married woman in a small town is visited by her sister, a single "flapper" who causes a scandal in town with her bobbed hair and short skirts. She attracts the attentions of some of the local men, which causes an even greater scandal--which is made worse when her sister abruptly leaves her boorish husband for another man.
A chorus girl falls for a young man pretending to be his boss, a millionaire. WHen his boss returns from a European trip and finds that the woman he loves is engaged to his secretary, complications ensue.
In the frozen north, a husky but not over-bright half-breed Indian seeks the identity of his white father. Any child in the audience could have told him this – despite the fact that the hissable hypocrite is actually presented as a man of character.
An ex-reformatory girl seeks a new life with the help of a fatherly judge and an earnest young minister. Trouble ensues when a criminal gang catch up with her.
Four of the original five reels survive in the collections of the UCLA Film and Television Archive.
