Adriana Aizemberg
After the death of his wife and his young daughter in a traffic accident for which he was responsible, Luna falls into a large pit of depression. Neither medication nor religion help him to keep going. Until one day, Luna has a dream that he receives as a revelation. In that dream, he sees himself driving a car and carrying a woman, Selva along with his son Beni. Luna takes it as a challenge and attempts to carry out his mission: to save the woman and the child from the dream.
Three women - a single girl, scared of being alone forever, another whose boyfriend is still attached to his ex-wife and an old lady who has nobody left - will learn from each other that it's always possible to shift and get out of one's current existence.
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
Pilar is autistic since she was four years old, now she is 26. The father wants to send her to an Institution , but the mother refuses, this creates a rift in the couple. The family is breaking up: Alejo, the youngest son, has conflicts at school and with his friends. Pilar suffers from increasingly frequent attacks that makes their living really impossible. Finally, they put her in an Institution. She will find another way to live, but something will happen that will change the course of the family.
A man in his thirties does not want to be like his father, but that seems to be unavoidable.
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business, trying to get his Polish passport and move to Europe. Ariel has never understood why his father left him when he was a baby to fight in the Yom Kippur War in 1973. When his father returns to Buenos Aires, Ariel discovers the reason why his father left his family
The portrait of a man and his attempts to make things up with life after losing his job.
Gustavo "el Nene" Carrizo (Adrián Suar) is a con artist and opportunist, but he is also a friendly thief who wins people over with his incredible charisma and his desire to help others. He came to Argentina from Spain with the purpose of avenging the death of his father, assassinated by a gang of drug traffickers. And at the moment of carrying out his revenge, he ran into the police.
Ariel Llanarte, writer and journalist forced to live abroad, decides to return to the country. He has the purpose of finding out the reason why his best friend disappeared.
When a marriage separates, a teenage girl chooses to move in with her father.
a story about two mid class workers facing one of the worst economic crisis. One of them (Federico Luppi) is seduced by an incredible propose of work by one friend of him (Gianni Lunadei), named Arteche. Arteche offer a very good position on his own company, because he needs someone "he can trust". The other worker (Julio De Grazia) didn't believe on Arteche´s words so he try to "survive" alone.
The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.
Directed by Eduardo Coutinho (segment "Pacto, O"), Rodolfo Kuhn (segment "Noche terrible"), Helvio Soto (segment "Mundo mágico")
