Agnès de Sacy
For the "story of the month," Coline, a contributor to a women's magazine, is sent deep into the Pyrenees to interview Simon, a rather wild artist who claims his mother appeared to him at the precise moment she died. Coline is particularly intrigued since her beautiful neighbor Azar insists the same thing happened with her father! On the night they meet, Simon attempts to seduce Coline, who resists but falls in love...
A large and beautiful property on the French Riviera. A place that seems out of time and sheltered from the rest of the world. Anna goes there with her daughter for a few days of vacation. Amidst her family, friends and the house staff, Anna has to handle her fresh break-up with her partner and the writing of her next film.
From his village in northern Senegal, Yao is a 13-year-old boy ready to do anything to meet his hero: Seydou Tall, a famous French actor. Invited to Dakar to promote his new book, the latter goes to his country of origin for the first time. To fulfill his dream, the young Yao organizes his fugue and brave 387 kilometers alone to the capital. Touched by this child, the actor decides to flee his obligations and to accompany him home. But on the dusty and uncertain roads of Senegal, Seydou understands that while rolling towards the village of the child, it also rolls towards its roots.
Workplace drama doesn’t get any messier than in this intriguingly knotty tale of corporate backbiting and buried secrets. Nora (Agathe Bonitzer) is a bright young professional whose new job at a financial firm turns out to be a trial by fire when she learns that her bosses (Lambert Wilson and Pascal Greggory) share a tumultuous history with her prickly mathematician father (Jean-Pierre Bacri). Meanwhile, an interoffice romance with a competitive colleague (Vincent Lacoste) leads to even more complications, leaving Nora to navigate a minefield of delicate relationships as she climbs the corporate ladder. Isabelle Huppert costars and delivers a typically multi-layered performance as one of many sharply etched characters populating this complex moral tale.
Elisa, on a verge of divorce, leaves Paris with her son Noe to settle in her hometown of Dunkerque to find the biological mother who gave her up for adoption 30 years before.
Gracie, a young Tamil woman living near Madras, has been having behavioural disorders since the day she was married. The memory of her French friend Catherine, who died in unresolved circumstances, seems to be haunting her. Catherine's grieving ex-husband, Joseph, decides to go to India to meet Gracie and possibly, during his journey, fix his mistakes - because Joseph has a lot to be forgiven for...
The Heroic Cinematographer discusses the relationship between war and cinema beginning in the Civil War.
Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.
Damien is a professor of Chinese civilization who lives with his wife, Iva, a theater director, and their son Noé. Their love is mired in a mountain of routine and disenchantment. To help keep Zorica from getting deported, Iva gets Damien to promise he’ll go to his father, a state department official, for help. But Damien and his father have a distant and cool relationship. And this mission is a risky business which will send Damien spiraling downward and over the edge...
At thirteen-years-old, with an unusually high IQ and a knack for observing things about other people, Lou Bertignac is not only the youngest in her class at school; she is also the most unusual. Painfully shy, she has few friends, save for Lucas, whose company helps her get through each day. At home, Lou's life is also difficult: Her mother hasn't left the house in years and her father spends his days crying in the bathroom. Lou's world is dark and sad... That is, until she meets No.
Herve, the head of a press agency, is traveling fast down a road headed in only one direction: self-destruction. He is an alcoholic, and his drinking is wrecking his marriage, family and career. In desperation and still in denial, he checks into a detox clinic in Geneva, his last-chance saloon. There he meets a group of fellow sufferers and one person in particular, a young woman named Magali, who help him to see life other than through the bottom of an empty bottle.
One night, Pierre decides to reveal his painful secret to his daughter-in-law, who's just been abandoned by her husband. Pierre's secret is about his secret love to Mathilde, the woman he left to instead follow an easier path in life.
Comédienne hantée par son rôle de Nathalia Petrovna, l'héroïne de la pièce de Tourguéniev Un Mois à la campagne qu'elle répète difficilement, Marcelline tente de noyer ses angoisses dans une piscine sur un air de Glenn Miller. Mais rien n'y fait. Rien n'empêche le temps de courir et de lui imposer ses quarante ans et toujours pas d'enfant.
A man vacationing in the country with his wife and children finds ideas he has of himself unexpectedly challenged in director Zabou Breitman's intimate drama.
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.
After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.
