Ahn Byeong-kyeong
Kang Hee Sun is a professor at the Hanbaek Medical School who is called in when Jo Hyun Min, the owner of a traditional Korean house, finds a mummy preserved in a small room in the barn which was previously sealed off. The two of them feel a strange sense of recognition at their first meeting, which they put down to instant attraction until the series of bizarre occurrences that followed lead them to suspect that they may actually be deeply connected to the mummy's past. Hee Sun and Hyun Min's investigation reveals the tragic story of a pair of lovers who were torn apart 400 years ago, with a resulting misunderstanding spawning a centuries-long hatred.
Low-ranking civil servant Pil Yong (Park Joong Hoon) has things hard looking after his disabled wife(Ye Ji Won). He takes charge of a hanji project in hopes it will bring him a promotion. His wife comes from a family of hanji masters. One of his tasks include working with quarrelsome filmmaker Ji Won (Kang Su Yeon), who is shooting a documentary about hanji. Though he knows little about the subject to begin with, the more he learns about hanji, the more it takes on a new significance for him and the world around him.
One rainy night, Sodan's grandmother disappears, only telling her she's going to see a movie. In an effort to track her down Sodan gets a job as a box office attendant at the local theater. But there's more to this run down cinema than meets the eye...
The story revolves around an orphan girl who became a prostitute to survive and finds love with one of her clients. A young woman is tricked into prostitution, thinking she's going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where a prostitute is exploited by johns, their pimps and society. She befriends one of her johns, a country bumpkin, who keeps in touch with her over the years. The film is a look at Korea's prostitution from the 1970s to the 1990s told through her story.
