Aislín McGuckin

A Scottish chaplain embarks on an epic journey through space. Based on Michel Faber's 'The Book Of Strange New Things'.

8.1/10
7.5%

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

8.6/10

The last movie from the team of Ismail Merchant, James Ivory, and Kazuo Ishiguro. Set in 1930s Shanghai, "The White Countess" is both Sofia (Natasha Richardson), a fallen member of the Russian aristocracy, and a nightclub created by a blind American diplomat named Jackson (Ralph Fiennes), who asks Sofia to be the centerpiece of the world he wants to create.

6.6/10
4.9%

Based on the novel by John McGahern and set in Ireland in the 1950s, the series tells the story of Moran and his children. Especially the girls find it difficult to get away from the influence of their despotic father and start living their own lives.

7.9/10

Twenty years ago, Tony Egan's sister went to America. Nobody ever heard of her again. But now, the message of her death arrives in her town of birth. Only days later, her only son Chad arrives, too. Obviously, his mother took a black husband. Soon, Chad falls for Aislin, who has a bit of a crush on him too. But there is an old conflict going on between her father and Chad's uncle. This conflict resurfaces and begins to draw circles, wider and wider.

6.5/10