Akilas Karazisis
A corpse symbolically placed on the border line of the bridge that connects Greece with Turkey, forces the Greek police officer Sofia Bakalis and the Turkish Kenan Karaman to undertake the case of the unusual murder. Very quickly, the two police officers realize that things are not so simple. Unsuspecting of the political forces involved and trying to solve the case, Sophia and Kenan will be in mortal danger, as the perpetrators do everything to hide an explosive secret. However, the price of the truth is much higher than they imagine, with its revelation threatening to lead even to a Greek-Turkish conflict. In the end, Sophia and Kenan will be asked to decide what matters most: their task or their life.
Faced with life changing news, María, a fifty-five-year-old Spanish woman from Bilbao, chooses to take a trip to Greece with her closest girlfriends against the advice of her son and doctors. A spontaneous decision leads her to the island of Nisyros, a tiny haven of peace and calm that immediately feels like home. While exploring the beautiful island and soaking in its hidden treasures, she meets Stefanos and finds herself falling in love against all odds.
Austerity took everything but the roof over their heads, and today it will come for that too. But this time, they will finally fight back, like a family with nothing left to lose...
Tassos, a man just over 50 years old, with a career in the marketing and commercial direction of large corporations, has been unemployed for three years now. Too old for a new beginning, but also too young to resign. His relationships with his close people are being tested, and his psychological state is marginal. His goal is one: to get out of the 'freezer'.
In 1955 a couple of prominent Greek Istanbulites adopt an orphan Greek girl from the "sacred" town of their origin. They offer her a powerful family name and ensure her devotion. Twelve-year-old Polyxeni is separated from her younger brother and embarks on a new life and a future that looks bright; she receives an education, she becomes of age and falls in love. She has a lust for life, all the while unsuspicious of the devious plan of annihilation that others are weaving behind her back, targeting her large inheritance.
The life of Jorg Geissner, a German banker, totally transforms with a visit to Paladiki Island, Greece. A business trip to check on a project called “Galapagos in Greece” by the islanders and for which his bank extended a loan and credit, brought him there. Being a German, he wants to investigate thoroughly, but Panos, a mini-mart owner, and the mayor try their utmost to sabotage him—to camouflage a not-so-good reality. After every single trial resulted in nothing because of the islanders’ secret meddling, Jorg’s trip becomes elongated, like The Odyssey’s, forcing him to contemplate the priorities and responsibilities in life again.
Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging
Chariton Ulianov has one great love: Life! That particular love affair however does not hamper him in his pursuit of enjoyment of her simpler pleasures. For him every woman is beautiful, every wine is superior when shared with good company and every situation an opportunity for good humor. His position as School Master in a small provincial town on the island of Corfu gives him the opportunity to disseminate his own unique philosophy especially to the students that participate in his greatest passion: the choir.
In the small, closed community of a provincial town, Magda tries to maintain a balance within a family facing many serious problems. The families apparently normal, bourgeois, every-day life will crack open, bringing to the surface hatred and passions of the kind that lie well-hidden in the mists of the nearby lake. An intense plot and a totally unexpected ending make up this film, which features characters who are vulnerable, innocent and ordinary, but who become ruthless and callous, worrying only about protecting their financial resources. The offences are disproportionately serious compared to the financial benefits they try to secure
Middle August in Athens. Three families, living in a three storey building, leave for their summer vacations. Everyone is wishing for a miracle to happen this summer. In the meantime, a drifter breaks into their apartments and rummages their personal belongings, thus unfolding hidden secrets.
Theophilus Palios, owns a small traditional publishing house. He man madly falls in love with Sia, that is doing vocals on the show of a known singer. Sia maintains her living by the "generosity" of old fans. In the face of Theophilus, Sia will experience true love, though it continues to accept the offers of numerous admirers. Theophilus mad by jealousy, is lead to huge wastages and ultimately to economic collapse. He ends up entangled in a case of robbery and murder. Sia, in a guilt and self-sacrifice crisis, becomes mistress of the investigating policeman in exchange for his silence. This creates an odd triangle ..
The few survivors of a deserted city, sometime in the near future, are left with no water or food but somehow manage to survive. In a hospital, a lonely scientist, Foteini, is helping a patient with amnesia to recover. She also meets an actor named Aias (Ajax) – who often visits his sick sister – and becomes romantically involved with him. Foteini is swept away by love; Aias, however, is unprepared for such strong emotions. Their separation brings Foteini to the house of the amnesiac, and he takes care of her, up to the moment that she discovers a photo of hers among his things. In the meantime, Aias brings his sister back home from the hospital. While it is getting darker, with clouds gathering in the sky, Foteini and Aias wander the city and meet in the rain.
The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finish his studies at the Polytechnic University. Later on, we watch Lefteris’ life through his relationship with Dimitra, a fellow student. The ups and downs in their relationship during the course of their studies end up in a deadlock, in which they sacrifice their relationship to their quest for success.
Four episodes, four instances from a man’s life covering 25 years, from 1965 in Germany to 1990 in Athens. The episodes seem to be irrelevant to one another, yet they all focus on male powerplay, reveal the self-consciousness and moderation of the protagonist’s idiosyncrasy and depict some special aspects of the Greek male mentality. Probably Nikos Panayotopoulos’ most personal film, covering a substantial period of his generation’s years, “I’m dreaming of my friends” is based on the book by Dimitris Nollas, looks a lot like a “road movie” and features an all-male cast, as if there’s no room for women in it.
