Alan Bennett
The Bafta-winning Stewart Lee performs his latest touring show, focusing on a bizarrely erroneous description of his work on Netflix and a mind-boggling review from Alan Bennett.
One of Britain’s greatest landscape artists, Eric Ravilious, is killed in a plane crash while on commission as Official War Artist in Iceland in 1942. His life is as compelling and enigmatic as his art, set against the dramatic wartime locations that inspire him. This film brings to life this unique and still grossly undervalued British artist caught in the crossfire of war 80 years ago, whose legacy largely sank without trace, until now…
Alan Bennett’s sharp and hilarious new play is ‘just what the doctor ordered’ (Daily Telegraph). Filmed live at London’s Bridge Theatre during its limited run, don’t miss this acclaimed production full of ‘singalongs and stinging wit’ (Guardian). The Beth, an old fashioned cradle-to-grave hospital serving a town in Yorkshire, is threatened with closure as part of an efficiency drive. A documentary crew, eager to capture its fight for survival, follows the daily struggle to find beds on the Dusty Springfield Geriatric Ward, and the triumphs of the old people’s choir. One of Britain’s most celebrated writers, Alan Bennett’s plays include The History Boys, The Lady in the Van and The Madness of George III, all of which were also seen on film. Allelujah! is his tenth collaboration with award-winning director Nicholas Hytner.
Thirty years after his BBC film The Auden Landscape, director Adam Low returns to the poet and his work. Following surges of popularity - from featuring in Four Weddings And A Funeral to being the poet New Yorkers turned to after 9/11 - Low reveals how Auden’s poetry helps us to better understand the 21st century and the tumultuous political climate in which we now live.
Documentary about British author and actor Alan Bennett. Recorded over the course of a year, the film features a number of intimate encounters with Bennett, including a trip to New York to receive an award from the city's public library, a national radio appearance and a visit to his local community-run library in Primrose Hill, London. Reflecting on key periods of his life as well as providing observations on current events.
The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
A documentary celebrating 20 years of the work of Kaleidoscope, an organisation devoted to the preservation of archive television.
People spoil things; there are so many of them and the last thing one wants is them traipsing through one’s house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy (Frances de la Tour) wonders if an attic sale could be a solution.
Animation telling of the adventures of Mouse, Mole, Rat and Owl. Before giving a Twelfth Night party, Mouse makes a snowmole for Mole. In a dream, Snowmole takes him to a land where his every wish is granted. But dreams can become nightmares and wishes can sometimes backfire!
Sam was born with an extremely rare genetic disorder called Familial Dysautonomia. When born, he had 50 per cent chance of making it to his fifth birthday. Now, at the age of 39 we follow this exceptional person as he pursues his joint goals of getting his acting career back on track and finding love.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Documentary providing a rare glimpse into the life of Alan Bennett, one of the UK's best-loved writers, with interviews, archive footage and new work.
The story of an unruly class of bright, funny history students at a Yorkshire grammar school in pursuit of an undergraduate place at Oxford or Cambridge. Bounced between their maverick English master, a young and shrewd teacher hired to up their test scores, a grossly out-numbered history teacher, and a headmaster obsessed with results, the boys attempt to pass.
The Secret Policeman benefit shows for Amnesty International brought together comedy grand masters - from Python and Beyond the Fringe - and performers then relatively unknown, like Rowan Atkinson. Narrated by Dawn French, the programme includes interviews with many of the comedians and musicians who took part: John Cleese, Stephen Fry, Michael Palin, Sting, Lenny Henry and many more. The shows and their stars had a huge effect on modern British comedy. There are few comics today whose careers have not been heavily influenced by the anarchic and surreal humour of these events.
The Importance of Being Morrissey is the most revealing and quotable documentary made on Steven Patrick Morrissey. In it, he compares meat eating to child abuse; attacks the Royal Family and Tony Blair; responds to the accusations of racism, and we hear about his depression. There’s also some great concert footage and a mixed selection of celebrity fans who explain their fervor for the Mozz.
The Young Visiters, written in twelve days by nine-year-old Daisy Ashford in 1890, is a surreal blend of naiveté, precocious perception and inadvertent social satire.
This animated clip comments on different educational opportunities for boys and girls, and points out the positive impact of making all opportunities available to both sexes.
Hailed as the "rightful heir" to "The Wind in the Willows", William Horwood's critically acclaimed sequel comes to magical life in this beautifully animated feature-length classic. Join four of the best-loved characters in children's literature for their heart-warming and hilarious new adventure along the Riverbank, narrated by Academy Award-winner Vanessa Redgrave.
A Dance to the Music of Time is a four-part adaptation of Anthony Powell's 12-volume novel sequence that aired on Channel 4 in 1997. The series is a sharp, comic portrait of upper-class and bohemian England, spanning almost a century, from the early 1920s to modern times.
After teenage ambulance driver Ernest Hemingway (Chris O'Donnell) takes shrapnel in the leg during World War I, he falls in love with Agnes von Kurowsky (Sandra Bullock), a beautiful older nurse at the hospital where he's sent to recover. Their affair slowly blossoms, until Hemingway boldly asks Agnes to be his wife and journey to America with him. Richard Attenborough directs this drama based on the real-life experiences of the famed novelist.
Kenneth Grahame's literary classic about an enchanting world along the Riverbank has delighted readers for nearly a century. Now, this enduring beloved tale comes to life in this beautifully animated feature film from the producers of "The World of Peter Rabbit and Friends" and "The Snowman".
Alan Bennett's personal overview of art, filmed in the atmospheric location of a Leeds art gallery.
King George III's erratic behaviour leads to a plot in Parliament to have him declared insane and removed from the throne.
Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ.
In 1981, Gerd Heidemann (Jonathan Pryce), a war correspondent and reporter with the German magazine Stern, makes what he believes is the literary and historical scoop of the century: the personal diaries of Adolf Hitler. Over the next two years, Heidemann and the senior management figures at Stern secretly pay 10 million German marks to a mysterious 'Dr Fischer' (Alexei Sayle) for the sixty volumes of 'Hitler's diaries'. However, to the dismay of all, it is discovered after the publication of first extract that the diaries are crude forgeries, faked by Stuttgart criminal Konrad Kujau.
Julie Walters and Friends was a one-off comedy sketch show showcasing the talents of actress Julie Walters. Sketches were written by Walters' frequent collaborators, including Victoria Wood, Alan Bennett, Willy Russell and Alan Bleasdale. Walters portrayed new characters alongside roles she had previously been known for, including a monologue in which she appeared as Mrs Murray, her character from G.B.H, written by Bleasdale. The show was nominated for the Best Light Entertainment award at the 1992 BAFTAs.
In 1916 author Marcel Proust is leading a reclusive life in Paris. He hires a quartet of musicians and befriends one of them, a wounded serviceman.
Writer Alan Bennett visits a hotel in the north of England, observes the guests, and reminisces about his experiences of staying in boarding-houses as a child.
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John 'Joe' Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as 'What the Butler Saw' and 'Loot', Halliwell begins to feel alienated and the pair's future looks increasingly uncertain.
Fortunes of War is a 1987 BBC television adaptation of Olivia Manning's cycle of novels Fortunes of War. It stars Kenneth Branagh as Guy Pringle, lecturer in English Literature in Bucharest during the early part of the Second World War, and Emma Thompson as his wife Harriet. Other cast members included Ronald Pickup, Robert Stephens, Alan Bennett, Philip Madoc and Rupert Graves. The series stays relatively faithful to the original novels, with no notable departures from their plot.
Franz, a young man, works in a dye factory in Prague. One day he notices a skin-rash, like eczema, growing on his hands. All attempts to treat it with ointment fail, and the rash gradually spreads over his body. After complaining to the management he is laid off work; his relationship with his fiancee is affected. In an attempt to get compensation from his former employers he goes to insurance firm Assicurazion Generali, where he encounters an enigmatic clerk called Kafka.
Exploring the somewhat darker and more mysterious side of the Lewis Carroll's classic book, the movie follows Alice Liddell (the book's inspiration) as an old woman who is haunted by the characters she was once so amused by. As she thinks back on it, she starts to see her relationship with the shy author/professor in a new way and realizes the vast change between the young Alice and the old.
In the summer of 1947, Britain prepares to commemorate the wedding of Princess Elizabeth and Prince Phillip. To get around food-rationing laws, Dr. Charles Swaby, accountant Henry Allardyce and solicitor Frank Lockwood are fattening a black-market pig for the big day. Egged on by his wife, meek Gilbert Chilvers steals the swine, but the couple must conceal it from inspector Morris Wormold.
Actress Coral Browne travels to Moscow, and meets a mysterious Englishman. Turns out he's the notorious spy, Guy Burgess. Based on a true story, with Ms. Browne playing herself.
When Denis Midgley's father is rushed to hospital, Midgley drops everything to be by his side. They've never really got on, so Midgley wants to be sure he's there if his father ever regains consciousness. As he hates his job as a schoolteacher, and his home-life with his wife, her senile mother and their insolent teenage son, he has no qualms about lingering around the hospital. But as days turn into weeks, his father obstinately refuses to 'slip away', and Denis' motivation for staying by his father's bedside has more and more to do with Valery, a young nurse.
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is beseiged by suitors.
George and Betty, a middle-class English couple, have just moved into a big Edwardian house in London and are throwing a party to celebrate. Unfortunately, after ten days none of their furniture has arrived, having been sent to Carlisle by mistake, three of the four toilets don't work and cracks are starting to appear in the ceiling. However, nothing can dent their determination to have a good time.
Lee, a Chinese man, works as a waiter in a hotel in England, despite speaking very little English. Told that a girl called Iris might be interested in him, on his afternoon off work he buys a box of chocolates and sets off to find her.
Mr and Mrs Cooper are staying at a boarding-house in the seaside resort of Morecambe with their small children, Colin and Jennifer. Mr Cooper has just been made redundant, but the family are trying to keep this a secret from the other guests. Also staying at the hotel are Keith and Jo, a young couple on their honeymoon, and an older couple, Mr and Mrs Thornton. Waking early one morning, Colin amuses himself by dangling one of his sister's sandals out of the window on a piece of string. The sandal accidentally lands on a flat roof just outside the window of the honeymooning couple, and his father's now straitened financial circumstances mean Colin has to get it back, by fair means or foul.
A series of pink forms has Doris and Doreen fearing for their cushy jobs.
A budding Scottish film producer tries to get his ambitious Aberdeen-set western financed, and while he attracts some major stars and directors to the film he finds that with their support come more and more script changes... Filmed around the 1977 Edinburgh Film Festival, Long Shot is a deadpan satire about the trials and tribulations of British independent filmmaking, with terrific cameos from Wim Wenders, Susannah York, Stephen Frears, Alan Bennett and John Boorman.
Arthur Dodsworth has recently retired. He lives alone except for his budgie and memories of his late wife Winnie. One afternoon his nap is interrupted by the doorbell; his former secretary, Peggy Prothero, has come to visit. A brash, charmless woman who seems to take no pleasure in anything but putting people down, Miss Prothero wants to fill her old boss in on all the changes that have taken place at work since he left. Dodsworth isn't very curious, and as the visit wears on it puts a little strain on his politeness and patience. Miss Prothero doesn't enjoy it much either, but lingers on as there's a bombshell she wants to drop. The docketing system Dodsworth introduced thirty years earlier, which revolutionised the firm, has been scrapped by her adored new boss Mr Skinner. The crowning achievement of Dodsworth's career has just become obsolete, and she wants to tell him all about it.
A day in the life of a timid English literature professor.
Mam likes to make the weekly visit to Grandad into a proper little outing.
The first of the Amnesty International comedy benefit galas. The title is a play on the phrase at Her Majesty's pleasure (the show was performed at Her Majesty's Theatre, London). This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas...
A married couple, after a life time of work and bringing up a family, retire and awaken to the fast changing world around them, the habitual nature of their relationship, and what they have left.
Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.
On the Margin was a British satirical comedy sketch show written and performed by Alan Bennett and a regular cast including John Sergeant, Virginia Stride, Madge Hindle and Yvonne Gilan. Guest performers included John Fortune and Jonathan Miller. The show also featured songs and poems by John Betjeman and Philip Larkin. Each episode featured a mixture of sketches, some prophesying his later television dramas such as the quasi-soap, Streets Ahead, Life and Times in NW1, and more unexpectedly, serious poetry and music slots incorporating readings by Michael Hordern and Prunella Scales with archive footage of music-hall stars. This personalised nostalgic element distinguished On the Margin from other contemporary sketch shows, with Bennett's satirical swipes at Britain, integrated with his genuine love of its cultural heritage. It was directed by Sydney Lotterby, produced by Patrick Garland and was broadcast between 9 November and 14 December 1966 on BBC 2. It was repeated twice in 1967, but the tapes were wiped in the 1970s so the main surviving evidence of the series are the scripts. However, a compilation CD of audio extracts was released in 2009.
Alice in Wonderland (1966) is a BBC television play based on Alice's Adventures in Wonderland by Lewis Carroll. It was directed by Jonathan Miller, then most widely known for his appearance in the long-running satirical revue Beyond the Fringe.
A TV version of the stage show originally performed at the Edinburgh Fringe (August 1962) and in London (Fortune Theatre, May 1961) and Broadway (October 1962).
Set in a geriatric ward within a small hospital, when news of its closure begins to reach the community, the hospital invites a local news crew to document their planning of a concert in honor of the hospital's most celebrated nurse. But there might be something more threatening to the hospital itself, more deadly than the politicians ready to shut down the place at a moment's notice.
An interpretation of Plato's Symposium as a picnic organised by a University don for his students. Each guest is asked to explain the nature of love before the Don, through a series of questions, reaches a unifying conclusion.
