Alan Polonsky
Slipstream is a 1989 post-apocalyptic science fiction adventure film. The plot has an emphasis on aviation and contains many common science-fiction themes, such as taking place in a dystopian future in which the landscape of the Earth itself has been changed and is windswept by storms of great power. There are also numerous sub-plots, such as free will and humanity amongst artificial intelligence.
Unassuming catering salesmen Jim Ferguson falls through a time hole to 1917 where he saves the life of dashing Royal Flying Corps pilot James "Biggles" Bigglesworth after his photo recon mission is shot down. Before he can work out what has happened, Jim is zapped back to the 1980s......
When Ripley's lifepod is found by a salvage crew over 50 years later, she finds that terra-formers are on the very planet they found the alien species. When the company sends a family of colonists out to investigate her story—all contact is lost with the planet and colonists. They enlist Ripley and the colonial marines to return and search for answers.
Miles buys himself a state-of-the-art computer that starts expressing thoughts and emotions after a having champagne spilled down on him. Things start getting out of hand when both Miles and Edgar, how the computer calls himself, fall in love with Madeline, an attractive neighbour.
When SAS Captain Peter Skellen is thrown out of the service for gross misconduct due to unnecessary violence and bullying, he is soon recruited by The People's Lobby, a fanatical group aiming to hold several US dignitaries hostage. But Skellen's dismissal is a front to enable him to get close to the terrorist group. Can he get close enough to stop the Lobby from creating an international incident?
In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
