Aldo Monti
Maximiliano runs from the law after committing a robbery and seeks refuge in a town called San Pedro where, posing as a priest, he decides to get justice by defending the townspeople from the abuses of Don Oliverio, never imagining that this will lead him to a series of adventures and an encounter with love.
One could describe Lost as a family documentary in the first person; but also as a film that goes through a good part of the history of Mexican cinema. Viviana García Besné tells how it was that her family, ‘the Calderóns’, played an essential role in the production, distribution and exhibition of that primitive “other Hollywood”. Lost in Time is a touching film because of those surprises the director finds each time she comes across with that invaluable family footage, which was more forgotten than lost; or when her relatives tell stories she thought to be hilarious and made up, and which she later finds out to be true (like a shattered romance between her grandmother and Ricardo Montalbán, for instance). García Besné makes the most out of the contrasts that surface between the different visual formats she uses and all that found footage she finds. Lost in Time is a master class of cinema, any way you look at it.
A wealthy entrepreneur goes to an antique shop to get a gift for his wife. Unfortunately he picks out an ornate old box that happens to be cursed by the spirit of a woman executed for witchcraft by monks years earlier.
Tourist industry dudes moonlight as karate detectives, solving crimes committed among the mod young jet-setters.
Santo, the Silver Masked, must face terrible neo-nazis villians.
After facing defeat at the hands of Cristaldi the magician, Dracula is back to seek revenge and rule the world. With the help of Wolfman and his legion of followers, victory seems eminent. Professor Cristaldi, a descendant of the magician, is warned about Dracula's plans and calls upon El Santo and Blue Demon in the hopes that they can put the infamous Count and the werewolf down for good.
The vampire women of Mexico have awakened to take their revenge on the descendant of the man who destroyed them shortly after they had emigrated to Mexico during the 19th century.
Adult seduces and abandons a teenaged girl, she has a baby. Fifteen years later...
A woman travels to her past life with the help of Santo's past life regression machine
This classic film tells the story about a little girl Silvya (Lucy Buj) that because of her behaviour is required to be nursed by a special teacher Julia (Marga López) at home. This teacher is experienced in the field and starts looking after the child´s behavior and her friendship with Hugo,a statue of a little boy with a book that is 1,000 years old and supposedly talks to her and make her do things, Her wealthy father Eugenio Rubalcaba (Joaquin Cordero) is very disturbed about his daughters way´s and his new wife Mariana (Norma Lazareno) is trying to cope with her step daugters ideas but fears of the statue. All these characters play their parts well and the atmosphere in this movie is so thick that you can cut it with a knife, locations are well used and the fright factor is there all the time, This is a timeless piece of art that should be taken seriously now a days for next wave horror movie creators.
Follow up to Maria Isabel. Newly wed to a rich man, Maria Isabel must still struggle with being branded as a lowly maid and endure the scorn of her adoptive daughter and the infidelity of her husband.
The new Sheriff is framed for a series of stagecoach robberies, but he succeeds in finding the real thieves.
Cowboy/western: hero fakes cowardice to trap the bad guys into showing their hands.
Six hundred year old witch butts heads with a scholar over the possession of a rare ancient grimoire and then discovers that his daughter's fiance is the reincarnation of her first boyfriend.
Scheming secretary sabotages her boss's wedding plans and snags him for herself. She, him, his brother and the abandoned pregnant fiance all suffer as a result.
