Alejandra Flechner
Dina has not seen her three children for many years. They escaped their excessive control and live abroad. She can't get over her aerophobia to go visit them. She can't take it anymore without seeing them, and with his friends she sets up a mock of his funeral to force them to come and see her, but her plan will unleash madness. Who would think that this plan will work?
Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.
Cetarti is drowning in nothingness. With no job or purpose, he spends his days inside watching documentaries on television, until one day he is informed that his mother and brother were gunned down. He travels from Buenos Aires to Lapachito, a decrepit town in the province of Chaco in northern Argentina to deal with their bodies and to get the life insurance money. There he meets Duarte, a sort of boss in the town and a friend of his mother's murderer who also kidnaps people for money. Cetarti's path will lead him to committing illegal acts to get his hands on the insurance money and to his involvement in Duarte's dark dealings, leading to an absurd and unexpected outcome.
Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.
Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.
Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.
A murder in a house in Tigre triggers an investigation in the sphere of a political weekly. Crimes follow one another and the police can't solve the puzzle. A magazine journalist will try to get to the truth without knowing that more than one surprise awaits her.
Yepeto is a professor in his 50's, a prestigious writer who holds a chair in the literature department. Cecilia, an 18 year old student is the object of Antonio's desire. (Antonio is a young athlete, also very attractive.) Yepeto starts to feel passionately, but silently attracted to Cecilia, while at the same time, builds up his friendship with Antonio. Will this force Yepeto to give up, out of loyalty to his friend and student Antonio, all contact with his desired student Cecilia
Mercedes, a lady of eighty, widow and with fear of loneliness falls in love Sebastian, a writer sixty years less than her. Mercedes will feel trapped in that body wrinkled and slow that it allows she to live that love as it should be lived.
